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Traditio vel Aemulatio? The Singing Contest of Sāmarrā’, Expression of a Medieval Culture of Competition
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Agnes Imhof
Veröffentlicht/Copyright:
19. April 2013
Abstract: There is hardly any evidence suggesting that the singing contest of Sāmarrā’ deals with traditio. Music is mainly performance, and the significance of improvisation allows the singer, male or female, to assume a key position. Regardless of the school, Arab Music of the 9th century is characterized by the aemulative event, especially in the form of competition and contest.
Published Online: 2013-04-19
Published in Print: 2013-04
© De Gruyter 2013
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Artikel in diesem Heft
- Titelseiten
- Traditio vel Aemulatio? The Singing Contest of Sāmarrā’, Expression of a Medieval Culture of Competition
- David Ayalon (1914–1998) and the History of Black Military Slavery in Medieval Islam
- The Evolution of the Mālikī Jurists’ Attitudes to the Mudéjar Leadership
- Rock Faces, Opium and Wine: Speculations on the Original Viewing Context of Persianate Manuscripts
- Islamic Studies and Religious Reform. Ignaz Goldziher – A Crossroads of Judaism, Christianity and Islam
- Reviews
Artikel in diesem Heft
- Titelseiten
- Traditio vel Aemulatio? The Singing Contest of Sāmarrā’, Expression of a Medieval Culture of Competition
- David Ayalon (1914–1998) and the History of Black Military Slavery in Medieval Islam
- The Evolution of the Mālikī Jurists’ Attitudes to the Mudéjar Leadership
- Rock Faces, Opium and Wine: Speculations on the Original Viewing Context of Persianate Manuscripts
- Islamic Studies and Religious Reform. Ignaz Goldziher – A Crossroads of Judaism, Christianity and Islam
- Reviews
