Abstract
This paper is a case study of contemporary Arab political jokes in the light of Bakhtinian theory of carnival and the carnivalesque. According to this analysis, these political jokes represent a variety of texts whose topics revert around “glorifying”, mocking, parodying, scatologizing, and ultimately betraying the ruler. These types of political jokes reflect a textual representation of the life cycle of the oppressive ruler, which begins with comic “crowning” and glorification and ends in “decrowning” and comic death. Within this cycle, political jokes represent a kind of hidden dialogue between the oppressed and their marginalized discourse, and the regime and its dominant autocratic discourse. These jokes are disturbing to the regime, leading perhaps to punishment, but they do not necessarily either undermine or actually support the regime. Like carnival, the telling of these jokes in a repressive context merely builds a second world outside the oppressive world of the regime and offers an alternative framework to the regime's policies.
© 2011 Walter de Gruyter GmbH & Co. KG, Berlin/Boston
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- “Frank and unconscious humor and narrative structure in Anne Brontë's The Tenant of Wildfell Hall”
- Humor in conflict discussions: Comparing partners' perceptions
- Carnivalesque politics: A Bakhtinian case study of contemporary Arab political humor
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Artikel in diesem Heft
- “Frank and unconscious humor and narrative structure in Anne Brontë's The Tenant of Wildfell Hall”
- Humor in conflict discussions: Comparing partners' perceptions
- Carnivalesque politics: A Bakhtinian case study of contemporary Arab political humor
- Humor in the collectivist Arab Middle East: The case of Lebanon
- The humor of Christ: A different methodological approach
- Book reviews