Conflicts between founder and CEO narratives: Counter-narrative, character and identification in organisational changes
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Per Krogh Hansen
and
Marianne Wolff Lundholt
Abstract
Corporate communication has long been viewed through the lens of narrative and storytelling. Over time, a wide variety of conceptions have been developed in this field with respect to the special circumstances regarding the organisational communicative situation, which differs from other materialisations of narrative. In this article, however, we will explore the value of a more general approach, which pays attention to some of the recurring features of narrative across media and communicative situations. We will approach organisational narrative through common analytical and narratological concepts such as master narrative and counter-narrative, character, identification and actantial roles. Specifically, we investigate the organisational change in the Danish-owned multinational company Danfoss and examine how the materialisation of a founder narrative and a CEO master narrative each evoke different expectations, reactions and counter-narratives among the employees. Our empirical material consists of public communication in, from and around the organisation, and focus group interviews conducted at Danfoss China.
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© 2019 Walter de Gruyter GmbH, Berlin/Boston
Articles in the same Issue
- Frontmatter
- Frontmatter
- Rhetorical Theory of Narrative and Contemporary Narrative Poetics: A Conversation with James Phelan
- Introduction: Sameness and difference in narratology
- The critique of the common theory of narrative fiction in narratology: Pursuing difference
- The art of narrative – narrative as art: Sameness or difference?
- Sameness, difference, or continuity?
- Beyond sameness and difference: Narrative sense-making in life and literature
- Conflicts between founder and CEO narratives: Counter-narrative, character and identification in organisational changes
- Imaginary scenarios: On the use and misuse of fiction
- Sameness and difference in narrative modes and narrative sense making: The case of Ramsey Campbell’s “The Scar”
- “I’ll teach you differences.” A meta-theoretical approach to narrative theory
- Corrigendum
- Corrigendum to: Mapped stories: Cartography, history, and the representation of time in space
Articles in the same Issue
- Frontmatter
- Frontmatter
- Rhetorical Theory of Narrative and Contemporary Narrative Poetics: A Conversation with James Phelan
- Introduction: Sameness and difference in narratology
- The critique of the common theory of narrative fiction in narratology: Pursuing difference
- The art of narrative – narrative as art: Sameness or difference?
- Sameness, difference, or continuity?
- Beyond sameness and difference: Narrative sense-making in life and literature
- Conflicts between founder and CEO narratives: Counter-narrative, character and identification in organisational changes
- Imaginary scenarios: On the use and misuse of fiction
- Sameness and difference in narrative modes and narrative sense making: The case of Ramsey Campbell’s “The Scar”
- “I’ll teach you differences.” A meta-theoretical approach to narrative theory
- Corrigendum
- Corrigendum to: Mapped stories: Cartography, history, and the representation of time in space
