Article
Open Access
Collaboration or confrontation? Local and non-local actors in the Echigo-Tsumari Art Triennial
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Susanne Klien
Published/Copyright:
September 7, 2010
Published Online: 2010-09-07
Published in Print: 2010-September
© 2010 Walter de Gruyter GmbH & Co. KG, Berlin/New York
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Keywords for this article
collaboration;
interaction;
contemporary art;
revitalization
Creative Commons
BY-NC-ND 3.0
Articles in the same Issue
- Editorial
- Preface
- Stability and increasing fluidity in the contemporary Japanese social stratification system
- When dismissal becomes a business transaction: Analysis of the processes and consequences of haken-giri under the global recession
- Divided society model and social cleavages in Japanese politics: No alignment by social class, but dealignment of rural-urban division
- Eine andere Form der Ungleichheit: Behinderung und soziale Stratifikation in Japans kakusa shakai-Diskussion
- Understanding buraku inequality: Improvements and challenges
- From the traditions of J-horror to the representation of kakusa shakai in Kurosawa's film Tokyo Sonata
- Gender and class in Miura Atsushi's karyū shakai [low-stream society]: Literature review
- Collaboration or confrontation? Local and non-local actors in the Echigo-Tsumari Art Triennial
- Constructing difference in Japan: Literary counter-images of the Okinawa boom
- The personal is political in Kinuta o utsu onna [The cloth fuller]: A ‘little narrative' by zainichi Korean writer Lee Hoe Sung