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Shakespeare and Leibniz: Julius Caesar and the Baroque
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Peter Kishore Saval
Published/Copyright:
September 7, 2011
Critics still find it hard to explain those Shakespearean moments when the destiny of an individual character appears reflected in the cosmic order. Taking Leibniz as the starting-point for interpreting Julius Caesar enables a philosophical account of the play's “baroque” elements.
Published Online: 2011-09-07
Published in Print: 2011-July
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Articles in the same Issue
- “Memory is the Primary Instrument, the Inexhaustible Nutrient Source”. Remediations of Literary Romanticism in Sally Mann's Family Photographs
- Facing the Void. Primal Scenes in Maurice Blanchot and Hélène Cixous
- Stirb und Werde in Goethes Proserpina
- Therapeutic Tragedy. Walter Hasenclever's Antigone and the Need to Bury the War Dead
- „Auf eine Lampe“ von Eduard Mörike. Autonomität und Heterogenität der „klassischen“ Form
- K. as ‘Confessional Hero’. A Foucauldian Reading of Kafka's Der Prozeß
- The Discreet Community. Hugo von Hofmannsthal's Der Schwierige
- Shakespeare and Leibniz: Julius Caesar and the Baroque
- Furchtbare Symmetrien. Romantische Verwandtschaften im Werk der Dichter-Maler Hermann Hesse und William Blake
- Three “Leaping” Poems from East and West: Li Po, Lorca, and Yoshitada
- Lyrik als Verdichtung und Transparenz. Zur Rezeption von Yves Bonnefoy und Michel Deguy in Deutschland
- Between Exoticism and Silence. A Comparison of First Generation Migrant Writing in Germany and the Netherlands
- One Flew over the Cuckoo's Nest. A Chink in McMurphy's Armor
- Rezensionen
- Liste der Mitarbeiter
