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„Auf eine Lampe“ von Eduard Mörike. Autonomität und Heterogenität der „klassischen“ Form
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Angel V. Angelov
Published/Copyright:
September 7, 2011
Certain modern approaches to literature raise the text to the rank of the sacred and the interpreter to the role of a priest. What is usually regarded here as classical is an intermingling of the Antique tradition in Europe and Oriental exoticism, which was popular in various European countries during the nineteenth century. The lamp's classical form in Mörike's “Auf eine Lampe” is unstable. The space where the lamp ‘shines’ is non-European.
Online erschienen: 2011-09-07
Erschienen im Druck: 2011-July
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Articles in the same Issue
- “Memory is the Primary Instrument, the Inexhaustible Nutrient Source”. Remediations of Literary Romanticism in Sally Mann's Family Photographs
- Facing the Void. Primal Scenes in Maurice Blanchot and Hélène Cixous
- Stirb und Werde in Goethes Proserpina
- Therapeutic Tragedy. Walter Hasenclever's Antigone and the Need to Bury the War Dead
- „Auf eine Lampe“ von Eduard Mörike. Autonomität und Heterogenität der „klassischen“ Form
- K. as ‘Confessional Hero’. A Foucauldian Reading of Kafka's Der Prozeß
- The Discreet Community. Hugo von Hofmannsthal's Der Schwierige
- Shakespeare and Leibniz: Julius Caesar and the Baroque
- Furchtbare Symmetrien. Romantische Verwandtschaften im Werk der Dichter-Maler Hermann Hesse und William Blake
- Three “Leaping” Poems from East and West: Li Po, Lorca, and Yoshitada
- Lyrik als Verdichtung und Transparenz. Zur Rezeption von Yves Bonnefoy und Michel Deguy in Deutschland
- Between Exoticism and Silence. A Comparison of First Generation Migrant Writing in Germany and the Netherlands
- One Flew over the Cuckoo's Nest. A Chink in McMurphy's Armor
- Rezensionen
- Liste der Mitarbeiter
