Introduction. Performing Cultural Trauma in Theatre and Film. Between Representation and Experience

Articles in the same Issue

1. Introduction. Performing Cultural Trauma in Theatre and Film. Between Representation and Experience
2. Hitchcock, the Holocaust, and the Long Take: Memory of the Camps
3. Playing Soldiers at the Edge of Imagination. Hotel Modern and the Representation of the Unrepresentable
4. On the Charge of Memory. Auschwitz, Trauma and Representation
5. Mediating Memories. The Ethics of Post-9/11 Spectatorship
6. The Violin Player, the Soccer Game and the Wall-Graffiti. Rhetorical Strategies in the Border-Regions between Israel and Palestine
7. Mourning as Method. William Kentridge's Black Box/Chambre Noir
8. “‘It's about us!’. Violence and Narrative Memory in Post 9/11 American Theatre
9. Beyond Medusa. Recovering History on Stage
10. Unclaimed and Unclaimable. Memories of the RAF
11. Afterimages. Post-Holocaust, Posttraumatic, and Postcolonial Cinemas
12. Das Warten auf den Herrensignifikanten oder: Die Verhandlung von Zufall, Zeichen und Notwendigkeit in Thomas Pynchons The Crying of Lot 49 als Kritik des Indizienparadigmas
13. Von der “(Un)Möglichkeit, sich in die Fremde hineinzuleben”. Kulturelle Assimilation als Desintegration am Beispiel von Ilija Trojanows Roman Der Weltensammler
14. Rezensionen
15. Liste der Mitarbeiter