Abstract
The Beckett Digital Manuscript Project (BDMP) brings together digital facsimiles of the manuscripts of Samuel Beckett’s works – documents currently held in over thirteen libraries and archives in Europe and North America – with the aim of furthering genetic criticism. Incorporating three of the eight modules available for researchers engaging with the BDMP website as of August 2020, together with one forthcoming monograph study whose corresponding digital module has yet to be made live on the site, this article will, in effect, make use of three novels and one novella, all in both their French and English iterations, in order to present concrete examples of the ways in which the exposition of idiosyncratic features of Beckett’s œuvre is being facilitated by this nascent digital archive.
Works Cited
Beckett, Samuel. 1985. Compagnie. Paris: Les Éditions de Minuit. Search in Google Scholar
Beloborodova, Olga. 2019. The Making of Samuel Beckett’s Play/Comédie and Film. Brussels/London: University Press of Antwerp/Bloomsbury.Search in Google Scholar
Krance, Charles (ed.). 1993. Samuel Beckett: Company/Compagnie and A Piece of Monologue/Solo: A Bilingual Variorum Edition. New York/London: Garland Publishing.Search in Google Scholar
“L’Innommable/The Unnamable: Manuscript Chronology”. Beckett Digital Manuscript Project. <https://www.beckettarchive.org/innommable/about/chronology> [accessed 06 August 2020].Search in Google Scholar
“Malone meurt/Malone Dies: Manuscript Chronology”. Beckett Digital Manuscript Project. <https://www.beckettarchive.org/malonemeurt/about/chronology> [accessed 06 August 2020].Search in Google Scholar
“Molloy: Manuscript Chronology”. Beckett Digital Manuscript Project. <https://www.beckettarchive.org/molloy/about/chronology> [accessed 06 August 2020].Search in Google Scholar
Nugent-Folan, Georgina. 2021. The Making of Samuel Beckett’s Company/Compagnie. Brussels/London: University Press of Antwerp/Bloomsbury.Search in Google Scholar
O’Reilly, Édouard Magessa, Dirk Van Hulle and Pim Verhulst. 2017. The Making of Samuel Beckett’s Molloy. Brussels/London: University Press of Antwerp/Bloomsbury.Search in Google Scholar
Sahle, Patrick. 2016. “What is a Scholarly Digital Edition?”. In: Matthew James Driscoll and Elena Pierazzo (eds.). Digital Scholarly Editing: Theories and Practices. Cambridge: Open Book Publishers. 19–40.10.11647/OBP.0095.02Search in Google Scholar
“Series Preface”. Beckett Digital Manuscript Project. <https://www.beckettarchive.org/introduction.jsp> [accessed 10 November 2020].Search in Google Scholar
Slote, Sam. 2015. “Bilingual Beckett: Beyond the Linguistic Turn”. In: Dirk Van Hulle (ed.). The New Cambridge Companion to Samuel Beckett. Cambridge: Cambridge University Press. 114–125.10.1017/CCO9781139871525.013Search in Google Scholar
Stacey, Stephen. 2018. Beckett and French, 1906–1946: A Study. Unpubl. PhD Dissertation. Trinity College Dublin. Supervisor: Sam Slote.Search in Google Scholar
Van Hulle, Dirk (ed.). 2009. Samuel Beckett: Company/Ill Seen Ill Said/Worstward Ho/Stirrings Still. London: Faber and Faber.Search in Google Scholar
Van Hulle, Dirk and Mark Nixon. 2013. Samuel Beckett’s Library. Cambridge: Cambridge University Press.Search in Google Scholar
Van Hulle, Dirk and Shane Weller. 2014. The Making of Samuel Beckett’s L’Innommable/The Unnamable. Brussels/London: University Press of Antwerp/Bloomsbury.Search in Google Scholar
Van Hulle, Dirk and Pim Verhulst. 2017. The Making of Samuel Beckett’s Malone meurt/Malone Dies. Brussels/London: University Press of Antwerp/Bloomsbury.Search in Google Scholar
“Welcome to the Beckett Digital Library”. Beckett Digital Manuscript Project. <https://www.beckettarchive.org/library/home/welcome> [Accessed 25 November 2020].Search in Google Scholar
© 2021 Walter de Gruyter GmbH, Berlin/Boston
Articles in the same Issue
- Frontmatter
- Frontmatter
- Articles
- Book Histories in the Digital Age: Challenges, Promises, Achievements
- Holistically Modelling the Medieval Book: Towards a Digital Contribution
- Tradition and Innovation in Cataloguing Medieval Manuscripts
- Learning to Let Go: Ownership, Rights, Fees, and Permissions of Readers’ Photographs
- A New Age of Photography: ‘DIY Digitization’ in Manuscript Studies
- Habemus Corpora: Reapproaching Philological Problems in the Age of ‘Big’ Data
- Digitizing the Old English Anonymous and Wulfstanian Homilies through the Electronic Corpus of Anonymous Homilies in Old English (ECHOE) Project
- The Reader at Large: A Computational Approach to London, British Library, Cotton Caligula A.ii (Part One)
- Digitized Beckett: Samuel Beckett’s Self-Translation Praxes Mediated through Digital Technology
- Computing Literary Surplus Value: Alan Moore and the Density of the Comic Book as Graphic Novel
- Literary Reviewing and the Velocity of Book Histories in Times of Digitization
- Reviews
- Hans Sauer and Rüdiger Pfeiffer-Rupp (eds.). 2020. Ihr werdet die Wahrheit erkennen / Ye shall know the truth: Zum Gedenken an den Philologen / In Memory of the Philologist Ewald Standop. Wissenschaftlicher Verlag Trier, x + 306 pp., 35 figures, 21 tables, € 35.00.
- Ursula Lenker and Lucia Kornexl (eds.). 2019. Anglo-Saxon Micro-Texts. Anglia Book Series 67. Berlin/Boston: De Gruyter, viii + 377 pp., € 99.95/$ 114.99/£ 91.00.
- Arvind Thomas. 2019. “Piers Plowman” and the Reinvention of Church Law in the Late Middle Ages. Toronto: University of Toronto Press, xiv + 267 pp., $ 75.00.
- Monika Pietrzak-Franger. 2017. Syphilis in Victorian Literature and Culture: Medicine, Knowledge and the Spectacle of Victorian Invisibility. Palgrave Studies in Literature, Science and Medicine. New York: Palgrave Macmillan, xiv + 338 pp., 17 illustr., € 117.69/£ 99.99/$ 139.99.
- Baylee Brits. 2017. Literary Infinities: Number and Narrative in Modern Fiction. New York/London: Bloomsbury, 224 pp., £ 85.00/$ 115.00.
- James Smith (ed.). 2019. The Cambridge Companion to British Literature of the 1930 s. Cambridge Companions to Literature. Cambridge: Cambridge University Press, 250 pp., £ 74.99.
- Ulla Rahbek. 2019. British Multicultural Literature and Superdiversity. Cham: Palgrave Macmillan, vii + 224 pp., € 74.89.
- Monika Fludernik and Marie-Laure Ryan (eds.). 2020. Narrative Factuality: A Handbook. Revisionen: Grundbegriffe der Literaturtheorie 6. Berlin/Boston: De Gruyter, ix + 780 pp., 3 illustr., 1 table, € 159.95/£ 145.50.
- Jonathan Senchyne. 2020. The Intimacy of Paper in Early and Nineteenth-Century American Literature. Studies in Print Culture and the History of the Book. Amherst, MA: University of Massachusetts Press, pp. 176, 10 illustr., $ 90.00.
- Maria Löschnigg and Melanie Braunecker (eds.). 2019. Green Matters: Ecocultural Functions of Literature. Nature, Culture and Literature 15. Leiden: Brill, xiv + 385 pp., € 132.00/$ 159.00.
Articles in the same Issue
- Frontmatter
- Frontmatter
- Articles
- Book Histories in the Digital Age: Challenges, Promises, Achievements
- Holistically Modelling the Medieval Book: Towards a Digital Contribution
- Tradition and Innovation in Cataloguing Medieval Manuscripts
- Learning to Let Go: Ownership, Rights, Fees, and Permissions of Readers’ Photographs
- A New Age of Photography: ‘DIY Digitization’ in Manuscript Studies
- Habemus Corpora: Reapproaching Philological Problems in the Age of ‘Big’ Data
- Digitizing the Old English Anonymous and Wulfstanian Homilies through the Electronic Corpus of Anonymous Homilies in Old English (ECHOE) Project
- The Reader at Large: A Computational Approach to London, British Library, Cotton Caligula A.ii (Part One)
- Digitized Beckett: Samuel Beckett’s Self-Translation Praxes Mediated through Digital Technology
- Computing Literary Surplus Value: Alan Moore and the Density of the Comic Book as Graphic Novel
- Literary Reviewing and the Velocity of Book Histories in Times of Digitization
- Reviews
- Hans Sauer and Rüdiger Pfeiffer-Rupp (eds.). 2020. Ihr werdet die Wahrheit erkennen / Ye shall know the truth: Zum Gedenken an den Philologen / In Memory of the Philologist Ewald Standop. Wissenschaftlicher Verlag Trier, x + 306 pp., 35 figures, 21 tables, € 35.00.
- Ursula Lenker and Lucia Kornexl (eds.). 2019. Anglo-Saxon Micro-Texts. Anglia Book Series 67. Berlin/Boston: De Gruyter, viii + 377 pp., € 99.95/$ 114.99/£ 91.00.
- Arvind Thomas. 2019. “Piers Plowman” and the Reinvention of Church Law in the Late Middle Ages. Toronto: University of Toronto Press, xiv + 267 pp., $ 75.00.
- Monika Pietrzak-Franger. 2017. Syphilis in Victorian Literature and Culture: Medicine, Knowledge and the Spectacle of Victorian Invisibility. Palgrave Studies in Literature, Science and Medicine. New York: Palgrave Macmillan, xiv + 338 pp., 17 illustr., € 117.69/£ 99.99/$ 139.99.
- Baylee Brits. 2017. Literary Infinities: Number and Narrative in Modern Fiction. New York/London: Bloomsbury, 224 pp., £ 85.00/$ 115.00.
- James Smith (ed.). 2019. The Cambridge Companion to British Literature of the 1930 s. Cambridge Companions to Literature. Cambridge: Cambridge University Press, 250 pp., £ 74.99.
- Ulla Rahbek. 2019. British Multicultural Literature and Superdiversity. Cham: Palgrave Macmillan, vii + 224 pp., € 74.89.
- Monika Fludernik and Marie-Laure Ryan (eds.). 2020. Narrative Factuality: A Handbook. Revisionen: Grundbegriffe der Literaturtheorie 6. Berlin/Boston: De Gruyter, ix + 780 pp., 3 illustr., 1 table, € 159.95/£ 145.50.
- Jonathan Senchyne. 2020. The Intimacy of Paper in Early and Nineteenth-Century American Literature. Studies in Print Culture and the History of the Book. Amherst, MA: University of Massachusetts Press, pp. 176, 10 illustr., $ 90.00.
- Maria Löschnigg and Melanie Braunecker (eds.). 2019. Green Matters: Ecocultural Functions of Literature. Nature, Culture and Literature 15. Leiden: Brill, xiv + 385 pp., € 132.00/$ 159.00.