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Between Aura and Access: Artefactuality, Institutionality, and the Allure of the Archival

  • Tim Sommer EMAIL logo
Veröffentlicht/Copyright: 23. September 2020
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Aus der Zeitschrift Anglia Band 138 Heft 3

Abstract

This article analyses narratives inspired by the institutional emergence of the literary archive. It focuses in particular on what historian Arlette Farge has described as the “allure of the archives”: the elusive immediacy of encounters with artefactual remnants of the past. Key to this experience is what has often been described as the ability of archival objects to conjure up the presence of their creators – a process that at the same time paradoxically depends on the uniqueness and fundamental ‘unapproachability’ of the artefact. Through regulating and restricting access to documents, the archive thus maintains their distance and simultaneously makes them available for acts of reverential consumption. Focusing on such forms of gatekeeping and consecration, the article reads Henry James’s novella “The Aspern Papers” (1888) and Martha Cooley’s novel The Archivist (1998) to enquire how the literary archive – both as an idea and as an institution – has shaped ways of thinking about the relationship between physical absence and auratic presence.

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Published Online: 2020-09-23
Published in Print: 2020-09-15

© 2020 Walter de Gruyter GmbH, Berlin/Boston

Artikel in diesem Heft

  1. Frontmatter
  2. Frontmatter
  3. What’s in an Archive? Cursory Observations and Serendipitous Reflections
  4. Archive Fever and British Romanticism: Blake, Byron, and Keats
  5. Between Aura and Access: Artefactuality, Institutionality, and the Allure of the Archival
  6. The Document as Epistemic Object: Notes on Archival Knowledge Cultures
  7. Of Gaps and Gossip: Intimacy in the Archive
  8. Words, Wares, Names: Dave the Potter as American Archive
  9. From Parchment to Podcast: The Collaborative Process of Building and Unlocking an Archive
  10. “The People Shall Continue”: Native American Museums as Archives of Futurity
  11. Speculative Bibliography
  12. Reviews
  13. Thijs Porck. 2019. Old Age in Early Medieval England: A Cultural History. Anglo-Saxon Studies 33. Woodbridge: Boydell, x + 278 pp., £ 60.00/$ 99.00.
  14. Francis Leneghan. 2020. The Dynastic Drama of Beowulf. Anglo-Saxon Studies 39. Cambridge: Brewer, xxi + 300 pp., 1 illustr., £ 60.00.
  15. Irina Dumitrescu and Eric Weiskott (eds.). 2019. The Shapes of Early English Poetry: Style, Form, History. Studies in Medieval and Early Modern Culture 51. Kalamazoo, MI: Medieval Institute Publications, xix + 281 pp., $ 109.99.
  16. Mary Clayton and Juliet Mullins (eds. and trans.). 2019. Ælfric: Old English Lives of Saints. Volumes I-III. Dumbarton Oaks Medieval Library 58–60. Cambridge, MA: Harvard University Press, vol. I: xxxii + 384 pp.; vol. II: vi + 426 pp.; vol. III: vi + 402 pp., each volume $ 35.00/£ 28.95/€ 31.00.
  17. Christian Kloeckner, Simone Knewitz and Sabine Sielke (eds.). 2016. Knowledge Landscapes North America. Heidelberg: Winter, 305 pp., € 58.00.
  18. T. R. Johnson (ed.). 2019. New Orleans: A Literary History. Cambridge: Cambridge University Press, 379 pp., £ 35.00.
  19. Christian B. Long. 2017. The Imaginary Geography of Hollywood Cinema 1960–2000. Bristol/Chicago, IL: Intellect, 300 pp., £ 70.00.
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