Abstract
Drawing upon mass communication theories, concretely Walter Lippman’s theory of stereotypes, Erving Goffman’s theory of frames, and Jean Baudrillard’s theory of simulacra and simulation, we examine the fictional representation of manipulated and fake news in three novels by Graham Greene, Stamboul Train (1932), The Quiet American (1955), and A Burnt-Out Case (1960). In this paper, within the frame of one of the key concepts in his work, the ‘virtue of disloyalty’, we argue that Greene’s fictional representation of journalism (mal)practice constitutes a piece of grit in the machinery of the western press, questioning the political and cultural dominant discourse conveyed to the public. In this line, Greene’s literary representations of the journalistic practice can be read as indicators (and, in turn, shapers) of the western culture’s prevailing perceptions of the reported news and the professionals that convey the facts to a general public. With his fictional representation of the profession of journalism, Greene makes readers aware of the way information can be manipulated and the necessity of developing a critical mind concerning the news and how they are conveyed through the media.
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© 2020 Walter de Gruyter GmbH, Berlin/Boston
Artikel in diesem Heft
- Frontmatter
- Frontmatter
- Articles
- “I pray sir, hear me: I am married”: Language and Sexual Politics in Webster’s The Duchess of Malfi
- A Changeling Becomes Titania: The Realm of the Fairies in Charlotte Brontë’s Jane Eyre
- Queering Time: The Temporal Body as Queer Chronotope in Virginia Woolf’s Orlando
- Digging the Liminal Spaces: Chronotopic Representation of Liminality in Seamus Heaney’s North and Station Island
- Bodily and Spiritual Borders in the Parsi Males of Rohinton Mistry’s Tales from Firozsha Baag
- Guarding the Guardians: Fictional Representation of Manipulated and Fake News in Graham Greene’s Work
- Restoration Celebrity Culture: Twenty-First-Century Regenderings and Rewritings of Charles II, the Merry Monarch, and his Mistress “Pretty, witty” Nell Gwyn
- The Contemporary South African Trauma Novel: Michiel Heyns’ Lost Ground (2011) and Marlene van Niekerk’s The Way of the Women (2008)
- Reviews
- Rhona Alcorn, Joanna Kopaczyk, Bettelou Los and Benjamin Molineaux (eds.). 2019. Historical Dialectology in the Digital Age. Edinburgh: Edinburgh University Press, xvii + 274 pp., 42 figures, 33 tables, £ 80.00.
- Reviews
- Aaron J. Kleist. 2019. The Chronology and Canon of Ælfric of Eynsham. Anglo-Saxon Studies 37, xxii + 347 pp., 1 illustr., Cambridge: Brewer, £ 75.00.
- Michael J. Warren. 2018. Birds in Medieval English Poetry: Metaphors, Realities, Transformations. Nature and the Environment in the Middle Ages. Cambridge: Brewer, ix + 259 pp., 6 illustr., £ 60.00.
- Julia Boffey and Christiania Whitehead (eds.). 2018. Middle English Lyrics: New Readings of Short Poems. Cambridge: Brewer, xviii + 310 pp., 8 illustr., £ 60.00.
- Elizabeth Archibald, Megan G. Leitch and Corinne Saunders (eds.). 2018. Romance Rewritten: The Evolution of Middle English Romance. A Tribute to Helen Cooper. Studies in Medieval Romance. Cambridge: Brewer, xii + 295 pp., £ 60.00.
- Rory G. Critten. 2018. Author, Scribe, and Book in Late Medieval English Literature. Cambridge: Brewer, 238 pp., 3 illustr., £ 60.00.
- Catherine Sanok. 2018. New Legends of England: Forms of Community in Late Medieval Saints’ Lives. Philadelphia, PA: University of Pennsylvania Press, ix + 360 pp., 8 illustr., $ 65.00/£ 54.00.
- Pete Bearder. 2019. Stage Invasion: Poetry & the Spoken Word Renaissance. London: Outspoken Press, 210 pp., € 12.50.
- Kirsten Twelbeck. 2018. Beyond the Civil War Hospital: The Rhetoric of Healing and Democratization in Northern Reconstruction Writing, 1861–1882. Bielefeld: transcript, 438 pp., € 49.99.
- Marius Henderson and Julia Lange (eds.). 2017. Entangled Memories: Remembering the Holocaust in a Global Age. Heidelberg: Winter, 500 pp., 48 illustr., € 54.00.
- Sonja Frenzel und Birgit Neumann (eds.). 2017. Ecocriticism: Environments in Anglophone Literatures. Anglistik und Englischunterricht 86. Heidelberg: Winter, 2017. 264 pp., € 32.00.
- Rubén Cenamor and Stefan L. Brandt (eds.). 2019. Ecomasculinities: Negotiating Male Gender Identity in U. S. Fiction. Lanham: Lexington Books, 206 pp., $ 95.00/£65.00.
Artikel in diesem Heft
- Frontmatter
- Frontmatter
- Articles
- “I pray sir, hear me: I am married”: Language and Sexual Politics in Webster’s The Duchess of Malfi
- A Changeling Becomes Titania: The Realm of the Fairies in Charlotte Brontë’s Jane Eyre
- Queering Time: The Temporal Body as Queer Chronotope in Virginia Woolf’s Orlando
- Digging the Liminal Spaces: Chronotopic Representation of Liminality in Seamus Heaney’s North and Station Island
- Bodily and Spiritual Borders in the Parsi Males of Rohinton Mistry’s Tales from Firozsha Baag
- Guarding the Guardians: Fictional Representation of Manipulated and Fake News in Graham Greene’s Work
- Restoration Celebrity Culture: Twenty-First-Century Regenderings and Rewritings of Charles II, the Merry Monarch, and his Mistress “Pretty, witty” Nell Gwyn
- The Contemporary South African Trauma Novel: Michiel Heyns’ Lost Ground (2011) and Marlene van Niekerk’s The Way of the Women (2008)
- Reviews
- Rhona Alcorn, Joanna Kopaczyk, Bettelou Los and Benjamin Molineaux (eds.). 2019. Historical Dialectology in the Digital Age. Edinburgh: Edinburgh University Press, xvii + 274 pp., 42 figures, 33 tables, £ 80.00.
- Reviews
- Aaron J. Kleist. 2019. The Chronology and Canon of Ælfric of Eynsham. Anglo-Saxon Studies 37, xxii + 347 pp., 1 illustr., Cambridge: Brewer, £ 75.00.
- Michael J. Warren. 2018. Birds in Medieval English Poetry: Metaphors, Realities, Transformations. Nature and the Environment in the Middle Ages. Cambridge: Brewer, ix + 259 pp., 6 illustr., £ 60.00.
- Julia Boffey and Christiania Whitehead (eds.). 2018. Middle English Lyrics: New Readings of Short Poems. Cambridge: Brewer, xviii + 310 pp., 8 illustr., £ 60.00.
- Elizabeth Archibald, Megan G. Leitch and Corinne Saunders (eds.). 2018. Romance Rewritten: The Evolution of Middle English Romance. A Tribute to Helen Cooper. Studies in Medieval Romance. Cambridge: Brewer, xii + 295 pp., £ 60.00.
- Rory G. Critten. 2018. Author, Scribe, and Book in Late Medieval English Literature. Cambridge: Brewer, 238 pp., 3 illustr., £ 60.00.
- Catherine Sanok. 2018. New Legends of England: Forms of Community in Late Medieval Saints’ Lives. Philadelphia, PA: University of Pennsylvania Press, ix + 360 pp., 8 illustr., $ 65.00/£ 54.00.
- Pete Bearder. 2019. Stage Invasion: Poetry & the Spoken Word Renaissance. London: Outspoken Press, 210 pp., € 12.50.
- Kirsten Twelbeck. 2018. Beyond the Civil War Hospital: The Rhetoric of Healing and Democratization in Northern Reconstruction Writing, 1861–1882. Bielefeld: transcript, 438 pp., € 49.99.
- Marius Henderson and Julia Lange (eds.). 2017. Entangled Memories: Remembering the Holocaust in a Global Age. Heidelberg: Winter, 500 pp., 48 illustr., € 54.00.
- Sonja Frenzel und Birgit Neumann (eds.). 2017. Ecocriticism: Environments in Anglophone Literatures. Anglistik und Englischunterricht 86. Heidelberg: Winter, 2017. 264 pp., € 32.00.
- Rubén Cenamor and Stefan L. Brandt (eds.). 2019. Ecomasculinities: Negotiating Male Gender Identity in U. S. Fiction. Lanham: Lexington Books, 206 pp., $ 95.00/£65.00.