More than an Artist in the Making: Samuel Beckett’s “Assumption” Revisited

Works Cited

Ackerley, C. J. and S. E. Gontarski. 2004. The Grove Companion to Samuel Beckett. New York: Grove Press.Suche in Google Scholar

Albright, Daniel. 2003. Beckett and Aesthetics. Cambridge: Cambridge University Press.Suche in Google Scholar

Balakian, Anna. 1971. André Breton: Magus of Surrealism. New York: Oxford University Press.Suche in Google Scholar

Beckett, Samuel. 1970. More Pricks than Kicks. London: Calder and Boyars.Suche in Google Scholar

Beckett, Samuel. 2006 a. “Assumption”. In: Paul Auster (ed.). Samuel Beckett. The Grove Centenary Edition. Volume IV. New York: Grove Press. 57–60.Suche in Google Scholar

Beckett, Samuel. 2006 b. “Dante...Bruno. Vico..Joyce”. In: Paul Auster (ed.). Samuel Beckett. The Grove Centenary Edition. Volume IV. New York: Grove Press. 495–510.Suche in Google Scholar

Beckett, Samuel. 2009. The Letters of Samuel Beckett 1929–1940. Martha Dow Fehsenfeld and Lois More Overbeck (eds.). Volume I. Cambridge: Cambridge University Press.Suche in Google Scholar

Cohn, Ruby. 2005. A Beckett Canon. Ann Arbor, MI: The University of Michigan Press.Suche in Google Scholar

Collinson, Diané. 1983. “The Aesthetic Theory of Stephen Dedalus”. British Journal of Aesthetics 23. 1 (Winter): 61–73.10.1093/bjaesthetics/23.1.61Suche in Google Scholar

Cronin, Anthony. 1996. Samuel Beckett: The Last Modernist. London: HarperCollins.Suche in Google Scholar

Deane, Seamus. 1992. “Introduction”. In: James Joyce. A Portrait of the Artist as a Young Man. London: Penguin. vii-xliii.Suche in Google Scholar

Fargnoli, A. Nicholas and Michael Patrick Gillespie. 2006. Critical Companion to James Joyce: A Literary Reference to his Life and Work. New York: Checkmark Books.Suche in Google Scholar

Feldman, Matthew. 2009. “‘Agnostic Quietism’ and Samuel Beckett’s Early Development”. In: Seán Kennedy and Katherine Weiss (eds.). Samuel Beckett: History, Memory, Archive. New York: Palgrave Macmillan. 183–200.Suche in Google Scholar

Friedman, Alan Warren. 2018. Surreal Beckett: Samuel Beckett, James Joyce, and Surrealism. New York and London: Routledge.10.4324/9781315102580Suche in Google Scholar

Gang, Joshua. 2013. “Mindless Modernism”. Novel: A Forum on Fiction 46, 1: 116–132.Suche in Google Scholar

Gordon, Lois. 1996. The World of Samuel Beckett 1906-1946. New Haven and London: Yale University Press.Suche in Google Scholar

Gussow, Mel. 1996. Conversations with (and about) Beckett. London: Nick Hern Books.Suche in Google Scholar

Hayman, David. 1971. “A Meeting in the Park and a Meeting on the Bridge: Joyce and Beckett”. James Joyce Quarterly 8, 4 (Summer): 372–384.Suche in Google Scholar

Israel, Nico. 2013. “Contemporary Visual Art”. In: Anthony Uhlmann (ed.). Samuel Beckett in Context. Cambridge: Cambridge University Press. 255–265.Suche in Google Scholar

Joyce, James. 2007. A Portrait of the Artist as a Young Man. John Paul Riquelme (ed.). New York: Norton.Suche in Google Scholar

Kenner, Hugh. 2007. “Joyce’s Portrait – A Reconsideration”. In: James Joyce. A Portrait of the Artist as a Young Man. John Paul Riquelme (ed.). New York: Norton. 348–366.Suche in Google Scholar

Mays, J.C.C. 1984. “Young Beckett’s Irish Roots”. Irish University Review 14,1: 18–33.Suche in Google Scholar

Miller, Tyrus. 1999. Late Modernism. Berkeley, CA: University of California Press.Suche in Google Scholar

Morin, Emilie. 2017. Beckett’s Political Imagination: Cambridge: Cambridge University Press.10.1017/9781108284011Suche in Google Scholar

Murphy, P.J. 2009. Beckett’s Dedalus: Dialogical Engagements with Joyce in Beckett’s Fiction. Toronto: University of Toronto Press. 10.3138/9781442687400Suche in Google Scholar

Nixon, Mark. 2007. “Beckett and Romanticism in the 1930s”. In: Dirk Van Hulle and Mark Nixon (eds.). ‘All Sturm and no Drang’. Beckett and Romanticism: Beckett at Reading 2006. Samuel Beckett Today/Aujourd’hui 18. Amsterdam: Rodopi. 61–76. 10.1163/18757405-018001005Suche in Google Scholar

O’Hara, J.D. 1999. “‘Assumption,’s Launching Pad”. Journal of Beckett Studies 8, 2: 29–43.Suche in Google Scholar

Pattie, David. 2000. The Complete Critical Guide to Samuel Beckett. London: Routledge.10.4324/9780203355084Suche in Google Scholar

Pilling, John. 2011. Samuel Beckett’s ‘More Pricks than Kicks’: In a Strait of Two Wills. London and New York: Continuum.Suche in Google Scholar

Pilling, John. 2015. “Early Beckett”. In: Dirk Van Hulle (ed.). The New Cambridge Companion to Samuel Beckett. New York: Cambridge University Press. 3–18.10.1017/CCO9781139871525.004Suche in Google Scholar

Rabaté, Jean-Michel. 2016. Think, Pig! Beckett at the Limit of the Human. New York: Fordham University Press. 10.1515/9780823270880Suche in Google Scholar

Sheehan, Paul. 2013. “Modernism: Dublin/Paris/London”. In: Anthony Uhlmann (ed.). Samuel Beckett in Context. Cambridge: Cambridge University Press. 139–149.Suche in Google Scholar

Slote, Sam. 2013. “The Joyce Circle”. In: Anthony Uhlmann (ed.). Samuel Beckett in Context. Cambridge: Cambridge University Press. 150–159.Suche in Google Scholar

Van Hulle, Dirk. 2005. “‘Nichtsnichtsundnichts’: Beckett’s and Joyce’s Transtextual Undoings”. In: Coleen Jaurretche (ed.). Beckett, Joyce and the Art of the Negative: European Joyce Studies 16. Amsterdam: Rodopi. 49–61. Suche in Google Scholar

Vichnar, David. 2014. “Coincidental Opposites: A Portrait of Samuel Beckett as a Young Joyce”. In: Radvan Markus, Hana Pavelková, Einal Adar and Michaela Marková (eds.). Tradition and Modernity: New Essays in Irish Studies. Prague: Faculty of Arts-Charles University. 13–25.Suche in Google Scholar

Weller, Shane. 2015. “Beckett and Late Modernism”. In: Dirk Van Hulle (ed.). The New Cambridge Companion to Samuel Beckett. New York: Cambridge University Press. 89–102.10.1017/CCO9781139871525.011Suche in Google Scholar

Zurbrugg, Nicholas. 1988. Beckett and Proust. Gerrards Cross: Colin Smythe. Suche in Google Scholar