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How to Succeed in Marketing Something Repulsive: A Recently Discovered Drawing of a Yogi by Willem Schellinks (1623– 1678)

  • Corinna Forberg and Pauline Lunsingh Scheurleer
Published/Copyright: October 1, 2018
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Abstract

In seventeenth-century Dutch paintings, ascetics are a rare and remarkable subject, even more so when they are Hindu ascetics. The drawing of a yogi created by Rembrandt’s contemporary Willem Schellinks (1623– 1678) is unique for this reason. This article investigates the various possible sources of Schellinks’ drawing – an eyewitness report, the many travel accounts on South Asia, Indian miniatures, or the like – and discusses its place between the European tradition of exoticism and the iconography of saints, as well as its position in Schellinks’ own oeuvre. Far from resorting to exotic stereotypes, Schellinks enlarged the canon of Dutch painting by combining observed foreign objects with established exotic motifs.


We are greatly indebted to Hans Buijs, curator of the Fondation Custodia in Paris, who drew Pauline Lunsingh Scheurleer’s attention to this drawing, and to Stijn Alsteens, former curator of the Department of Drawings and Prints at the Metropolitan Museum of Art in New York and now the international head of the Department of Old Master Drawings at Christie’s, based in Paris, who provided us with photographs of the drawing, and to both of them for sharing their knowledge with us. In addition, we are grateful to Stuart Robson for his careful reading and his corrections of our English text.


  1. Photo Credits: 1, 2, 7, 9 © Public Domain. — 3, 4, 5 © Amsterdam, Rijksmuseum. — 6 © SLUB Dresden/ Deutsche Fotothek. — 8 © National Collection of Qatar.

Published Online: 2018-10-01
Published in Print: 2018-10-01

© 2018 Corinna Forberg and Pauline Lunsingh Scheurleer, published by De Gruyter

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