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Quelques parcours artistiques contemporains comme illustration du mouvement de la semiosis : Compte rendu d'Interpréter l'art contemporain de Nicole Everaert-Desmedt
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Jean Fisette
Published/Copyright:
September 1, 2008
Published Online: 2008-09-01
Published in Print: 2008-August
© 2008 by Walter de Gruyter GmbH & Co. KG, D-10785 Berlin
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Articles in the same Issue
- Looking behind the symbol: Mythic algebra, numbers, and the illusion of linear sequence
- Role conflict as an interactional resource in the multimodal emergence of expert identity
- Symbols in dialogical structure of semiotics
- The interpretation of verbo-pictorial images in billboards and store banners in Jordanian society: An experimental study
- Identity, freedom, and answerability in the global world: A semiotic approach
- Signification and alterity in Emmanuel Lévinas
- Semiosis in cognitive systems
- A view on denotation in photography
- Xenology as phenomenological semiotics
- Fashion as communication: A semiotic analysis of fashion on ‘Sex and the City’
- Memes versus signs: On the use of meaning concepts about nature and culture
- Media literacy and semiotics: Toward a future taxonomy of meaning
- Multiscale textual semiotic analysis
- Deconstructing Grimm's laws reveals the unrecognized foot and leg symbolism in Indo-European lexicons
- A semiotic approach to the pathology of literary Décadence
- Complex systems in Renaissance and Postmodern texts: Aesthetic and epistemological consequences
- ‘To give an imagination to the listeners’: The neglected poetics of Navajo ideophony
- Hjelmslev's semiotic model of language: An exegesis
- Ang Lee's Crouching Tiger, Hidden Dragon in the land of the Cartesians: From comparative reception to cultural comparison
- Quelques parcours artistiques contemporains comme illustration du mouvement de la semiosis : Compte rendu d'Interpréter l'art contemporain de Nicole Everaert-Desmedt