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5 Music, Emotion, and Aesthetic Ecstasy
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Steven J. Gelberg
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Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Foreword ix
- Preface xi
- Introduction 1
- 1 What Is a “Psychedelic Experience”? 17
- 2 Expressing the Inexpressible 35
- 3 Beginner’s Mind and “Letting Go” 49
- 4 Timelessness, Hypersensitivity, and “Becoming” the Music 65
- 5 Music, Emotion, and Aesthetic Ecstasy 81
- 6 Music, Creator of Worlds 99
- 7 Music from “Nowhere” 111
- 8 Music in Psychedelic Psychotherapy 129
- 9 It’s Subjective 153
- 10 Is Classical Music Still Relevant? 161
- 11 Ambient Music for Psychedelic States 185
- 12 “World Music” and the Collective Unconscious 191
- 13 Sound Alternatives to Music 207
- Epilogue 215
- Appendix I 227
- Appendix II 231
- Notes 247
- Bibliography 279
- Index 293
Chapters in this book
- Frontmatter i
- Contents v
- Acknowledgments vii
- Foreword ix
- Preface xi
- Introduction 1
- 1 What Is a “Psychedelic Experience”? 17
- 2 Expressing the Inexpressible 35
- 3 Beginner’s Mind and “Letting Go” 49
- 4 Timelessness, Hypersensitivity, and “Becoming” the Music 65
- 5 Music, Emotion, and Aesthetic Ecstasy 81
- 6 Music, Creator of Worlds 99
- 7 Music from “Nowhere” 111
- 8 Music in Psychedelic Psychotherapy 129
- 9 It’s Subjective 153
- 10 Is Classical Music Still Relevant? 161
- 11 Ambient Music for Psychedelic States 185
- 12 “World Music” and the Collective Unconscious 191
- 13 Sound Alternatives to Music 207
- Epilogue 215
- Appendix I 227
- Appendix II 231
- Notes 247
- Bibliography 279
- Index 293