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1. Southland as Symbol

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© 2015 Hong Kong University Press

© 2015 Hong Kong University Press

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgments vii
  4. Contributors ix
  5. 1. Southland as Symbol 1
  6. 2. Southern Metal and Feather Fan: The “Southern Consciousness” of Lu Ji 19
  7. 3. Fan Writing: Lu Ji, Lu Yun and the Cultural Transactions between North and South 43
  8. 4. Plaint, Lyricism, and the South 79
  9. 5. Farther South: Jiang Yan in Darkest Fujian 109
  10. 6. The Pity of Spring: A Southern Topos Reimagined by Wang Bo and Li Bai 137
  11. 7. The Stele and the Drunkard: Two Poetic Allusions from Xiangyang 165
  12. 8. Jiangnan from the Ninth Century On: The Routinization of Desire 189
  13. Works Cited 207
  14. Index 219
Southern Identity and Southern Estrangement in Medieval Chinese Poetry
This chapter is in the book Southern Identity and Southern Estrangement in Medieval Chinese Poetry
https://doi.org/10.1515/9789888313006-003

Chapters in this book

  1. Frontmatter i
  2. Contents v
  3. Acknowledgments vii
  4. Contributors ix
  5. 1. Southland as Symbol 1
  6. 2. Southern Metal and Feather Fan: The “Southern Consciousness” of Lu Ji 19
  7. 3. Fan Writing: Lu Ji, Lu Yun and the Cultural Transactions between North and South 43
  8. 4. Plaint, Lyricism, and the South 79
  9. 5. Farther South: Jiang Yan in Darkest Fujian 109
  10. 6. The Pity of Spring: A Southern Topos Reimagined by Wang Bo and Li Bai 137
  11. 7. The Stele and the Drunkard: Two Poetic Allusions from Xiangyang 165
  12. 8. Jiangnan from the Ninth Century On: The Routinization of Desire 189
  13. Works Cited 207
  14. Index 219
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