Chapters in this book

1. Frontmatter i
2. CONTENTS v
3. FIGURES AND TABLE vii
4. NOTE ON ROMANISATION AND TRANSLATION xi
5. ACKNOWLEDGEMENTS xiii
6. INTRODUCTION: FRAMING A HONG KONG CHINESE FEMALE AUTHORSHIP IN HISTORY 1
7. 1 TO BE A CHINESE FEMALE SUBJECT: THE ARCH 29
8. 2 THE (IM)POSSIBILITY OF AN INSTITUTIONAL CRITIQUE: CHINA BEHIND 67
9. 3 A BREAK FROM HER AUTHORSHIP? THE CONTEXT OF MAKING SUP SAP BUP DAP AND THE HONG KONG TYCOON 101
10. 4 REVISITING HER CINEMA AS COUNTER-CINEMA: SUP SAP BUP DAP 129
11. 5 MASQUERADING THE STEREOTYPING: THE HONC KONG TYCOON 179
12. 6 AFTERWORD: TO CONTINUE, TO REMEMBER 235
13. NOTES 241
14. FILMOGRAPHY 243
15. BIBLIOGRAPHY 249
16. INDEX 279