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The Good Fowler as a World Conqueror: Images of Suleyman the Magnificent in Early Modern Hungarian Literary Practice
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Chapters in this book
- Frontmatter i
- Table of Contents v
- INTRODUCTION Practices of Coexistence: Constructions of the Other in Early Modern Perceptions vii
- The Good Fowler as a World Conqueror: Images of Suleyman the Magnificent in Early Modern Hungarian Literary Practice 1
- Repercussions of a Murder: The Death of Sehzade Mustafa on the Early Modern English Stage 35
- Constructing a Self-Image in the Image of the Other: Pope Pius II’s Letter to Sultan Mehmed II 71
- Topography of a Society: Muslims, Dwellers, and Customs of Algiers in Antonio de Sosa’s Topographia, e Historia General de Argel 103
- The Ragusan Image of Venice and the Venetian Image of Ragusa in the Early Modern Period 143
- All Moldavian Eyes on Ottomans: Perceptions and Representations at the End of the Fifteenth Century and the Beginning of the Sixteenth Century 177
- List of Contributors 219
- Index 223
Chapters in this book
- Frontmatter i
- Table of Contents v
- INTRODUCTION Practices of Coexistence: Constructions of the Other in Early Modern Perceptions vii
- The Good Fowler as a World Conqueror: Images of Suleyman the Magnificent in Early Modern Hungarian Literary Practice 1
- Repercussions of a Murder: The Death of Sehzade Mustafa on the Early Modern English Stage 35
- Constructing a Self-Image in the Image of the Other: Pope Pius II’s Letter to Sultan Mehmed II 71
- Topography of a Society: Muslims, Dwellers, and Customs of Algiers in Antonio de Sosa’s Topographia, e Historia General de Argel 103
- The Ragusan Image of Venice and the Venetian Image of Ragusa in the Early Modern Period 143
- All Moldavian Eyes on Ottomans: Perceptions and Representations at the End of the Fifteenth Century and the Beginning of the Sixteenth Century 177
- List of Contributors 219
- Index 223