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Marziyeh Meshkini’s The Day I Became a Woman
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Chapters in this book
- Frontmatter 1
- Content 5
- Acknowledgements 7
- Politics and Persistence: The Development of Iranian Film 9
- The Sound of Frogs at Night: Kiarostami’s Philosophy of Cinema 19
- Sexuality and Cultural Change: The Presentation of Sex and Gender in Pre- and Post-revolutionary Iranian Cinema 31
- Kiarostami’s Cinematic Poetry in Where is the Friend’s Home? and The Wind will Carry Us 49
- Which Half is Hidden? The Public or the Private: An Analysis of Milani’s The Hidden Half 63
- Abbas Kiarostami and the Aesthetics of Ghazal 77
- Contemporary Liminal Encounters: Moving Beyond Traditional Plots in Majidi’s Bârân 103
- Virtuous Heroines: A Mythical Reading of Female Protagonists in Contemporary Iranian Television Serials 117
- Marziyeh Meshkini’s The Day I Became a Woman 135
- Index 145
Chapters in this book
- Frontmatter 1
- Content 5
- Acknowledgements 7
- Politics and Persistence: The Development of Iranian Film 9
- The Sound of Frogs at Night: Kiarostami’s Philosophy of Cinema 19
- Sexuality and Cultural Change: The Presentation of Sex and Gender in Pre- and Post-revolutionary Iranian Cinema 31
- Kiarostami’s Cinematic Poetry in Where is the Friend’s Home? and The Wind will Carry Us 49
- Which Half is Hidden? The Public or the Private: An Analysis of Milani’s The Hidden Half 63
- Abbas Kiarostami and the Aesthetics of Ghazal 77
- Contemporary Liminal Encounters: Moving Beyond Traditional Plots in Majidi’s Bârân 103
- Virtuous Heroines: A Mythical Reading of Female Protagonists in Contemporary Iranian Television Serials 117
- Marziyeh Meshkini’s The Day I Became a Woman 135
- Index 145
