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Table of Contents
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Introduction and Acknowledgements 9
- 1 Late Shakespeare and the English Baroque 15
- 2 Hyperbole and Melancholy: The Baroque’s Key Structure of Feeling 33
- 3 Plays, Players, Playing: The Multiple Theatricality of the Baroque 59
- 4 Shakespeare: Late Writings and the Female Baroque 83
- 5 Towards a Baroque Poetics I: Shake-speares Sonnets 111
- 6 Towards a Baroque Poetics II ‘The Phoenix and Turtle’ and ‘A Lover’s Complaint’ 133
- 7 Shakespearean Baroque: Tragedy in an Emptying World 153
- 8 Shakespearean Baroque: From Tragedy to Tragicomedy 177
- 9 The Tempest. Plateauing and the Gradual Immanentism of the Baroque: Shakespeare, Montaigne, Bruno, Vermeer 199
- Index 221
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Introduction and Acknowledgements 9
- 1 Late Shakespeare and the English Baroque 15
- 2 Hyperbole and Melancholy: The Baroque’s Key Structure of Feeling 33
- 3 Plays, Players, Playing: The Multiple Theatricality of the Baroque 59
- 4 Shakespeare: Late Writings and the Female Baroque 83
- 5 Towards a Baroque Poetics I: Shake-speares Sonnets 111
- 6 Towards a Baroque Poetics II ‘The Phoenix and Turtle’ and ‘A Lover’s Complaint’ 133
- 7 Shakespearean Baroque: Tragedy in an Emptying World 153
- 8 Shakespearean Baroque: From Tragedy to Tragicomedy 177
- 9 The Tempest. Plateauing and the Gradual Immanentism of the Baroque: Shakespeare, Montaigne, Bruno, Vermeer 199
- Index 221