4. “A Few Shreds of Rough Linen” and “a Certain Degree of Elegance”

Kapitel in diesem Buch

1. Frontmatter 1
2. Visual and Material Culture, 1300-1700 2
3. Table of Contents 7
4. List of Illustrations 11
5. Acknowledgements 19
6. 1. Subjectivities In-Between Early Modern Global Textiles 21
7. Part I Unhomeliness, Mimicry, and Mockery
8. 2. Māori Textiles and Culture 57
9. 3. Contesting Images 75
10. 4. “A Few Shreds of Rough Linen” and “a Certain Degree of Elegance” 95
11. Part II The Material Enunciation of Difference
12. 5. Textiles, Fashion, and Questions of Whiteness 115
13. 6. Abolitionism and Kente Cloth 139
14. 7. Dressing in the Deccan 163
15. 8. “Rags of Popery” 185
16. Part III Identity Effects In-Between the Local and the Global
17. 9. Globalising Iberian Moorishness 205
18. 10. Tornasol Techniques as Cultural Memory 219
19. 11. In-Between the Global and the Local 241
20. 12. African Cotton : Cultural and Economic Resistance in Mozambique in the Mid-Eighteenth Century 265
21. Part IV Material Translation and Cultural Appropriation
22. 13. Mediating Mediterranean Cultures 285
23. 14. The Material Translation of Persian and Indian Carpets and Textiles in Early Modern Japan 305
24. 15. Globalisation and the Manufacture of Tablet-Woven Sanctuary Curtains in Ethiopia in the Eighteenth Century 327
25. 16. Cochineal and the Changing Patterns of Consumption of Red Dyes in Early Modern European Textile Industries 347
26. Archives, Libraries, and Museums (Abbreviations) 369
27. Select Bibliography 371
28. Index 379