Conclusion (Speculative)

Chapters in this book

1. Frontmatter 1
2. Table of Contents 7
3. Acknowledgements 9
4. Introduction: Refugees and Migrants in Contemporary Film, Art, and Media 11
5. Part I
6. 1. Moving Peoples and Motion Pictures: Migration in Film and Other Media 27
7. 2. Modes of Self-Representation in the Images Collectively Produced by Migrants in Lésbos Island: Natives of the New World 51
8. 3. Abstraction, Bare Life, and Counternarratives of Mobility in the Refugee Films of Richard Mosse and Ai Weiwei, Incoming and Human Flow 73
9. 4. Across the Sonorous Desert: Sounding Migration in El Mar la Mar 89
10. 5. Dislodged from History, Confronted by Walls : Picturing Migration as a Global Emergency 107
11. 6. Virtual Reality and Immersive Representation in Recent Refugee Narratives 129
12. Part II
13. 7. The Secret Life of Waste: Recycling Dreams of Migration 151
14. 8. Waiting in Line, Moving in Circles : Spaces of Instability in Christian Petzold’s Transit 177
15. 9. Migrant Bodies in the Land/City/ Seascapes of 2000s Turkish Cinema 193
16. 10. Third World On the Move: Cinematic Destination Belgrade/Serbia 219
17. 11. On the Borderlines of South-Eastern Europe : Migration in the Films of Aida Begić and Želimir Žilnik 237
18. Conclusion (Speculative) 259
19. References 271
20. Index 295