13 Sebald’s Toute la mémoire du monde

Chapters in this book

1. Frontmatter 1
2. Table of Contents 5
3. List of Figures 7
4. Introduction 11
5. I Sebald’s Writings, History and Voids
6. 1 W.G. Sebald’s Cartographic Images: Mapping the Historical Void 29
7. 2 Imaging the Uncanny Memory: War and the Isenheim Altarpiece in 1917–19 47
8. 3 The Worlds of Eternal Present: The Quest for the Hidden Patterns of Baroque Thought in Sebald’s literature 67
9. 4 Seeing the Void? On Visual Representations of “Arisierungen,” Forced Absences, and Forms of Taking Inventory in the Installation Invent arisiert by Arno Gisinger 81
10. II Memory and Art in and Through Sebald
11. 5 Monument and Memory 101
12. 6 In the Labyrinth: Sebald’s (Postwar) French Connections 115
13. 7 Leaning Images: Reading Nasta Rojc and Ana Mušćet 131
14. 8 Working with Images: Documentary Photography in the Oeuvres of Mike Kelley and W.G. Sebald 151
15. 9 Ghostwriting and Artists’ Texts: Raqs Media Collective’s We Are Here, But Is It Now? 167
16. III Writing with Images: Academic Practices and / as Ethical Commitment
17. 10 Models for Word and Image: Georges Rodenbach to Christian Bök 185
18. 11 On Writing: Propositions for Art History as Literary Practice 195
19. 12 Memory, Word, and Image in Sebald and Joyce: Towards a Transhistorical Ethics Communicated Through Minor Interventions in the Form of the Printed Book 227
20. 13 Sebald’s Toute la mémoire du monde 243
21. 14 As a Dog Finds a Spear 261
22. List of Contributors 283
23. Index 289