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13 Sebald’s Toute la mémoire du monde
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Leonida Kovač
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Chapters in this book
- Frontmatter 1
- Table of Contents 5
- List of Figures 7
- Introduction 11
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I Sebald’s Writings, History and Voids
- 1 W.G. Sebald’s Cartographic Images: Mapping the Historical Void 29
- 2 Imaging the Uncanny Memory: War and the Isenheim Altarpiece in 1917–19 47
- 3 The Worlds of Eternal Present: The Quest for the Hidden Patterns of Baroque Thought in Sebald’s literature 67
- 4 Seeing the Void? On Visual Representations of “Arisierungen,” Forced Absences, and Forms of Taking Inventory in the Installation Invent arisiert by Arno Gisinger 81
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II Memory and Art in and Through Sebald
- 5 Monument and Memory 101
- 6 In the Labyrinth: Sebald’s (Postwar) French Connections 115
- 7 Leaning Images: Reading Nasta Rojc and Ana Mušćet 131
- 8 Working with Images: Documentary Photography in the Oeuvres of Mike Kelley and W.G. Sebald 151
- 9 Ghostwriting and Artists’ Texts: Raqs Media Collective’s We Are Here, But Is It Now? 167
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III Writing with Images: Academic Practices and / as Ethical Commitment
- 10 Models for Word and Image: Georges Rodenbach to Christian Bök 185
- 11 On Writing: Propositions for Art History as Literary Practice 195
- 12 Memory, Word, and Image in Sebald and Joyce: Towards a Transhistorical Ethics Communicated Through Minor Interventions in the Form of the Printed Book 227
- 13 Sebald’s Toute la mémoire du monde 243
- 14 As a Dog Finds a Spear 261
- List of Contributors 283
- Index 289
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- List of Figures 7
- Introduction 11
-
I Sebald’s Writings, History and Voids
- 1 W.G. Sebald’s Cartographic Images: Mapping the Historical Void 29
- 2 Imaging the Uncanny Memory: War and the Isenheim Altarpiece in 1917–19 47
- 3 The Worlds of Eternal Present: The Quest for the Hidden Patterns of Baroque Thought in Sebald’s literature 67
- 4 Seeing the Void? On Visual Representations of “Arisierungen,” Forced Absences, and Forms of Taking Inventory in the Installation Invent arisiert by Arno Gisinger 81
-
II Memory and Art in and Through Sebald
- 5 Monument and Memory 101
- 6 In the Labyrinth: Sebald’s (Postwar) French Connections 115
- 7 Leaning Images: Reading Nasta Rojc and Ana Mušćet 131
- 8 Working with Images: Documentary Photography in the Oeuvres of Mike Kelley and W.G. Sebald 151
- 9 Ghostwriting and Artists’ Texts: Raqs Media Collective’s We Are Here, But Is It Now? 167
-
III Writing with Images: Academic Practices and / as Ethical Commitment
- 10 Models for Word and Image: Georges Rodenbach to Christian Bök 185
- 11 On Writing: Propositions for Art History as Literary Practice 195
- 12 Memory, Word, and Image in Sebald and Joyce: Towards a Transhistorical Ethics Communicated Through Minor Interventions in the Form of the Printed Book 227
- 13 Sebald’s Toute la mémoire du monde 243
- 14 As a Dog Finds a Spear 261
- List of Contributors 283
- Index 289