Amsterdam University Press
Authorizing Early Modern European Women
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Herausgegeben von:
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Information zu Autoren / Herausgebern
James Fitzmaurice is emeritus professor of English at Northern Arizona University and honorary research fellow at the University of Sheffield. He has published a great deal on Margaret Cavendish, and his screenplays have been selected for or won prizes at many film festivals.Miller Naomi :
Naomi J. Miller is Professor of English and the Study of Women and Gender at Smith College. She has published award-winning books on early modern women and gender and teaches courses on Shakespeare and his female contemporaries.Steen Sara Jayne :
Sara Jayne Steen has authored and edited five volumes largely on early modern women and theater, including The Letters of Lady Arbella Stuart, and has received awards for teaching and scholarship. She was faculty member, chair, and dean at Montana State University and is president emerita of Plymouth State University.
Rezensionen
"This innovative and groundbreaking volume addresses a gap in scholarship as it investigates the diverse approaches and strategies adopted by contemporary novelists, playwrights and screenwriters who are bringing women of the early-modern era to life for the public. Although early modern women increasingly appear in popular culture, such depictions have until now received little scholarly attention. Overall, this collection makes a significant contribution towards the growing field of biofiction, and will begin important conversations concerning how such fictionalizations can offer insight into both the early modern period and contemporary culture and its concerns."
- Professor Lisa Walters, University of Queensland, Australia
"The richly various essays in this collection, ranging over topics, including literature, embroidery, music and art, offer an extraordinary range of insights into the lived experience of women’s lives in the early modern period. But they do more than that: they also show how these women’s lives and works have informed and interacted with our own and continue to matter today."
- Professor Lisa Hopkins, Head of Research Degrees in the Social and Economic Research Institute at Sheffield Hallam University, UK
“… a remarkable collection of twenty short chapters that casts a spotlight on the =representation of women from the early modern period in a range of modern genres.”
-Julia Novak, Biography, vol. 46, n.3, 2023
Fachgebiete
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Frontmatter
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Gendering the Late Medieval and Early Modern World
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Table of Contents
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List of Figures
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Acknowledgments
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1. Introduction: Biography, Biofiction, and Gender in the Modern Age
13 - Section I: Fictionalizing Biography
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2. Sister Teresa: Fictionalizing a Saint
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3. Portrait of an Unknown Woman : Fictional Representations of Levina Teerlinc, Tudor Paintrix
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4. An Interview with Dominic Smith , Author of The Last Painting of Sara de Vos: Capturing the Seventeenth Century
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5. Lanyer: The Dark Lady and the Shades of Fiction
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6. Archival Bodies, Novel Interpretations , and the Burden of Margaret Cavendish
71 - Section II: Materializing Authorship
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7. Bess of Hardwick: Materializing Autobiography
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8. The Queen as Artist: Elizabeth Tudor and Mary Stuart
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9. “Very Secret Kept”: Facts and Re- Creation in Margaret Hannay’s Biographies of Mary Sidney and Mary Wroth
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10. Imagining Shakespeare’s Sisters : Fictionalizing Mary Sidney Herbert and Mary Sidney Wroth
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11. Anne Boleyn, Musician: A Romance Across Centuries and Media
141 - Section III: Performing Gender
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12. Reclaiming Her Time : Artemisia Gentileschi Speaks to the Twenty-First Century
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13. Beyond the Record: Emilia and Feminist Historical Recovery
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14. Writing, Acting, and the Notion of Truth in Biofiction About Early Modern Women Authors
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15. Jesusa Rodríguez’s Sor Juana Inés de la Cruz : Reflections on an Opaque Body
187 - Section IV: Authoring Identity
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16. From Hollywood Film to Musical Theater : Veronica Franco in American Popular Culture
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17. The Role of Art in Recent Biofiction on Sofonisba Anguissola
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18. “I am Artemisia”: Art and Trauma in Joy McCullough’s Blood Water Paint
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19. The Lady Arbella Stuart, a “Rare Phoenix” : Her Re-Creation in Biography and Biofiction
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20. The Gossips’ Choice : Extending the Possibilities for Biofiction with Creative Uses of Sources
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21. Afterword
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Index
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