Chapters in this book

1. Frontmatter 1
2. Table of Contents 7
3. Illustrations 9
4. Abbreviations 15
5. Acknowledgements 17
6. Introduction: Cardinals and their Images
7. 1. Portraying the Princes of the Church 21
8. 2. The Early Modern Cardinal 43
9. Part I – Individuality and Identity: Florence and Rome
10. 3. Visual and Verbal Portraits of Cardinals in Fifteenth-Century Florence 69
11. 4. Dead Ringers: Cardinals and their Effigies, 1400–1520 91
12. Part II – Divided Loyalties: Venice and Rome
13. 5. The Role of Cardinals’ Portraits in Venice: The Case of the Grimani Family and Some Thoughts on the Correr MS Morosini Grimani 270 117
14. 6. Role Playing: Cardinals in Historical Action in Leandro Bassano’s Honorius III Approving the Rule of St. Dominic in 1216 and the War of the Interdict 149
15. Part III – Collecting and Display: Portraits and Worldly Goods
16. 7. Renaissance Cardinals and Pontifical Mules 181
17. 8. Portraits as Symbols: Cardinals’ Portraits in the Roman and Local Collections of Some Counter-Reformation Cardinals 201
18. 9. Portraits as a Sign of Possession: Cardinals and their Protectorships in Early Modern Rome 231
19. Part IV – Post-Tridentine Piety: The Devout Cardinal
20. 10. Group Portraits of Cardinal Bembo and his Friends in the Wake of Trent 261
21. 11. Two Cardinal Portraits by Scipione Pulzone in the Harvard Art Museums and their Related Versions 285
22. 12. Miracle-Working Portraits of a Cardinal Saint: Managing the Devotional Medals of San Carlo Borromeo 319
23. Conclusion: Cardinal Portraits beyond Italy
24. 13. Portraying the Ideal Spanish Tridentine Prelate 343
25. Index 371