Chapter
Open Access
10. Imaginary Screens: The Hypnotic Gesture and Early Film
-
Ruggero Eugeni
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Introduction 7
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Becoming Screen
- 1. Primal Screens 27
- 2. ‘Schutz und Schirm’: Screening in German During Early Modern Times 51
-
Spaces
- 3. Face and Screen: Toward a Genealogy of the Media Façade 73
- 4. Sensing Screens: From Surface to Situation 115
- 5. ‘Taking the Plunge’: The New Immersive Screens 135
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Atmospheres
- 6. The Atmospheric Screen: Turner, Hazlitt, Ruskin 159
- 7. The Fog Medium: Visualizing and Engineering the Atmosphere 187
- 8. The Charge of a Light Barricade: Optics and Ballistics in the Ambiguous Being of Screens 215
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Formats
- 9. Flat Bayreuth: A Genealogy of Opera as Screened 237
- 10. Imaginary Screens: The Hypnotic Gesture and Early Film 269
- 11. Material. Human. Divine. Notes on the Vertical Screen 293
- Acknowledgments 321
- Index 323
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Introduction 7
-
Becoming Screen
- 1. Primal Screens 27
- 2. ‘Schutz und Schirm’: Screening in German During Early Modern Times 51
-
Spaces
- 3. Face and Screen: Toward a Genealogy of the Media Façade 73
- 4. Sensing Screens: From Surface to Situation 115
- 5. ‘Taking the Plunge’: The New Immersive Screens 135
-
Atmospheres
- 6. The Atmospheric Screen: Turner, Hazlitt, Ruskin 159
- 7. The Fog Medium: Visualizing and Engineering the Atmosphere 187
- 8. The Charge of a Light Barricade: Optics and Ballistics in the Ambiguous Being of Screens 215
-
Formats
- 9. Flat Bayreuth: A Genealogy of Opera as Screened 237
- 10. Imaginary Screens: The Hypnotic Gesture and Early Film 269
- 11. Material. Human. Divine. Notes on the Vertical Screen 293
- Acknowledgments 321
- Index 323