Chapters in this book

1. Frontmatter 1
2. Table of Contents 7
3. List of Illustrations 9
4. Acknowledgements 21
5. Introduction 23
6. 1. Framed Boundaries : Conrad von Soest and Early Fifteenth-Century Westphalian Triptychs 43
7. 2. Transparent Boundaries : Colour on the Exterior of German Fifteenth-Century Triptychs 93
8. 3. Regional Boundaries : Rogier van der Weyden’s Columba Altarpiece and Cross- Influences Between the Netherlands and Cologne 165
9. 4. Spiritual Boundaries : The Master of the St. Bartholomew Altarpiece and the Border between Reality and Eternity 209
10. 5. Coda : The Triptych in the Age of Dürer 255
11. Bibliography 285
12. Index 301