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7. Towards an Understanding of Mayken Verhulst and Volcxken Diericx
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Arthur J. DiFuria
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Kapitel in diesem Buch
- Frontmatter 1
- Table of Contents 5
- List of Illustrations 7
- Acknowledgements 11
- 1. Introduction: An Historiographical Perspective on Women Making Netherlandish Art History 13
- 2. Catharina Van Hemessen’s Self-Portrait: The Woman Who Took Saint Luke’s Palette 27
- 3. By Candlelight: Uncovering Early Modern Women’s Creative Uses of Night 55
- 4. In Living Memory: Architecture, Gardens, and Identity at Huis ten Bosch 85
- 5. Louise Hollandine and the Art of Arachnean Critique 113
- 6. Reclaiming Reproductive Printmaking 143
- 7. Towards an Understanding of Mayken Verhulst and Volcxken Diericx 157
- Index 179
Kapitel in diesem Buch
- Frontmatter 1
- Table of Contents 5
- List of Illustrations 7
- Acknowledgements 11
- 1. Introduction: An Historiographical Perspective on Women Making Netherlandish Art History 13
- 2. Catharina Van Hemessen’s Self-Portrait: The Woman Who Took Saint Luke’s Palette 27
- 3. By Candlelight: Uncovering Early Modern Women’s Creative Uses of Night 55
- 4. In Living Memory: Architecture, Gardens, and Identity at Huis ten Bosch 85
- 5. Louise Hollandine and the Art of Arachnean Critique 113
- 6. Reclaiming Reproductive Printmaking 143
- 7. Towards an Understanding of Mayken Verhulst and Volcxken Diericx 157
- Index 179