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3. Sedimentary Aesthetics
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Christopher J. Nygren
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Kapitel in diesem Buch
- Frontmatter 1
- Table of Contents 5
- List of Illustrations 7
- Introduction: Contamination and Purity in Early Modern Art and Architecture 17
- 1. Generation and Ruination in the Display of Michelangelo’s Non-finito 63
- 2. The Sacrilege of Soot : Liturgical Decorum and the Black Madonna of Loreto 99
- 3. Sedimentary Aesthetics 129
- 4. ‘Adding to the Good Silver with Other Trickery’ : Purity and Contamination in Clement VII’s Emergency Currency 157
- 5. Tapestry as Tainted Medium: Charles V’s Conquest of Tunis 183
- 6. Bruegel’s Dirty Little Atoms 207
- 7. Leakage, Contagion, and Containment in Early Modern Venice 243
- 8. Contamination, Purification, Determinism: The Italian Pontine Marshes 267
- 9. Colonial Consecrations, Violent Reclamations, and Contested Spaces in the Spanish Americas 283
- 10. Contamination / Purification 315
- Index 361
Kapitel in diesem Buch
- Frontmatter 1
- Table of Contents 5
- List of Illustrations 7
- Introduction: Contamination and Purity in Early Modern Art and Architecture 17
- 1. Generation and Ruination in the Display of Michelangelo’s Non-finito 63
- 2. The Sacrilege of Soot : Liturgical Decorum and the Black Madonna of Loreto 99
- 3. Sedimentary Aesthetics 129
- 4. ‘Adding to the Good Silver with Other Trickery’ : Purity and Contamination in Clement VII’s Emergency Currency 157
- 5. Tapestry as Tainted Medium: Charles V’s Conquest of Tunis 183
- 6. Bruegel’s Dirty Little Atoms 207
- 7. Leakage, Contagion, and Containment in Early Modern Venice 243
- 8. Contamination, Purification, Determinism: The Italian Pontine Marshes 267
- 9. Colonial Consecrations, Violent Reclamations, and Contested Spaces in the Spanish Americas 283
- 10. Contamination / Purification 315
- Index 361