Chapters in this book

1. Frontmatter 1
2. Table of Contents 5
3. List of Figures 7
4. Acknowledgements 9
5. Introduction: Processing Tongzhi/Queer Imaginaries 13
6. Section I. Against Families, Against States
7. 1. The Chinese Queer Diasporic Imaginary 39
8. 2. Two Stage Sisters: Comrades, Almost a Love Story 99
9. Section II. Camp Aesthetics
10. 3. Mass Camp in Contemporary Hong Kong Cinema 143
11. 4. Toward an Aesthetic of Tongzhi Camp 199
12. Section III. Documentary Impulse
13. 5. Coming Out of The Box, Lalas with DV Cameras 247
14. 6. Performing Gender, Performing Documentary in Postsocialist China 273
15. Conclusion 301
16. Chinese Glossary 307
17. Bilingual Filmography 323
18. Bibliography 333
19. Index 403