Kapitel
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Introduction
-
Heather Madar
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Kapitel in diesem Buch
- Frontmatter 1
- Table of Contents 5
- List of illustrations 7
- Introduction 17
- 1 Concealing and Revealing the Female Body in European Prints and Mughal Paintings 31
- 2 The Sultan’s Face Looks East and West: European Prints and Ottoman Sultan Portraiture 73
- 3 From Europe to Persia and Back Again : Border-Crossing Prints and the Asymmetries of Early Modern Cultural Encounter 107
- 4 The Dissemination of Western European Prints Eastward: The Armenian Case 127
- 5 The Catholic Reformation and Japanese Hidden Christians: Books as Historical Ties 159
- 6 (Re)framing the Virgin of Guadalupe : The Concurrence of Early Modern Prints and Colonial Devotions in Creating the Virgin 181
- 7 Hidden Resemblances: Re-contextualized and Re-framed : Diego de Valadés’ Cross Cultural Exchange 215
- 8 The Practice of Art: Auxiliary Plastic Models and Prints in Italy, Spain, and Peru 261
- 9 Ink and Feathers: Prints, Printed Books, and Mexican Featherwork 283
- Index 317
Kapitel in diesem Buch
- Frontmatter 1
- Table of Contents 5
- List of illustrations 7
- Introduction 17
- 1 Concealing and Revealing the Female Body in European Prints and Mughal Paintings 31
- 2 The Sultan’s Face Looks East and West: European Prints and Ottoman Sultan Portraiture 73
- 3 From Europe to Persia and Back Again : Border-Crossing Prints and the Asymmetries of Early Modern Cultural Encounter 107
- 4 The Dissemination of Western European Prints Eastward: The Armenian Case 127
- 5 The Catholic Reformation and Japanese Hidden Christians: Books as Historical Ties 159
- 6 (Re)framing the Virgin of Guadalupe : The Concurrence of Early Modern Prints and Colonial Devotions in Creating the Virgin 181
- 7 Hidden Resemblances: Re-contextualized and Re-framed : Diego de Valadés’ Cross Cultural Exchange 215
- 8 The Practice of Art: Auxiliary Plastic Models and Prints in Italy, Spain, and Peru 261
- 9 Ink and Feathers: Prints, Printed Books, and Mexican Featherwork 283
- Index 317