13. Introduction to Dickensian

Chapters in this book

1. Frontmatter 1
2. Contents 5
3. Editorial 7
4. Acknowledgments 9
5. 1. Screen Narrative in the Digital Era 11
6. Part I. Theory in Contemporary Contexts Reassessing Key Questions
7. 2. Stories and Storytelling in the Era of Graphic Narrative 27
8. 3. Rediscovering Iconographic Storytelling 45
9. 4. Wallowing in Dissonance 55
10. 5. “Storification” 85
11. 6. Transmedia Storytelling 97
12. Part II. History and Analyses
13. 7. The Endless Endings of Michelangelo Antonioni’s Films 111
14. 8. The Film That Dreams 119
15. 9. Spoilers, Twists, and Dragons 143
16. PART III. Discussions
17. 10. Storytelling and Mainstream Television Today – A Dialogue 155
18. 11. The Single Shot , Narration, and Creativity in the Space of Everyday Communication 167
19. PART IV. Practicalities
20. 12. Rewriting Proust 175
21. 13. Introduction to Dickensian 181
22. 14. The Lives of the Characters in Dickensian 183
23. 15. Music Structuring Narrative – A Dialogue 193
24. Notes on Contributors 199
25. Index of Names 203
26. Index of Film Titles 207