Skip to main content
Presented to you through Paradigm Publishing Services

Amsterdam University Press

Chapter Open Access

Table of Contents

© 2019 Amsterdam University Press, Amsterdam

© 2019 Amsterdam University Press, Amsterdam

Chapters in this book

  1. Frontmatter 1
  2. Table of Contents 5
  3. Acknowledgments 11
  4. I. Introduction: We Must Create? 13
  5. II. ‘Creative China’ and Its Potential to Problematise Western- Modern-Romantic Ideologies of Creativity 39
  6. Section 1: Boredom
  7. Essays
  8. 1.1 Create No More! Clutter and Boredom, a Hong Kong Perspective 53
  9. 1.2 Combating the Boredom of Traditional Performing Arts? The Case of Muyuge 77
  10. Interlocuting
  11. 1.3 You Must (Not) Be Bored! Boredom and Creativity in Global Capitalism 101
  12. 1.4 Boredom and Creativity in the Era of Accelerated Living 110
  13. Notes from the Field
  14. 1.5 Evaporating Ennui Water Calligraphy in Beijing 121
  15. 1.6 Male Cinderella on the Small Screen in mainland China 132
  16. In Dialogue
  17. 1.7 ‘Performativity’ in the Age of Banality 139
  18. Section 2: Shanzhai
  19. Essays
  20. 2.1 New Productive Culture Shanzhai or Second Degree of Creation? 149
  21. 2.2 Creative ‘Shanzhai Labour’? Leung Mee-ping’s ‘Made in Hong Kong/Shenzhen’ 171
  22. 2.3 Maoism and Disruptive Creativity Shanzhai – an Alternative Perspective 186
  23. Interlocuting
  24. 2.4 ‘Isn’t that funny?’ The Unsettling Effect of Shanzhai Products 211
  25. 2.5 Shanzhai = Creativity, Creativity = Shanzhai 217
  26. Notes from the Field
  27. 2.6 Bringing the Chinese Dream to the U.S. A Curatorial Practice in Art Education 225
  28. 2.7 ‘Banal Creativity’ What Does It Mean to Be Creative for Hunan TV Practitioners? 235
  29. In Dialogue
  30. 2.8 Two sides of SZ (Shanzhai & Shenzhen) 243
  31. Section 3: Digitisation
  32. Essay
  33. 3.1 Creativity, Affordances, and Chinese Traditional Culture 255
  34. Interlocuting
  35. 3.2 Digital Payment, Vernacular Creativity, and Governmentality 275
  36. 3.3 Shopping ‘Natural’ and ‘Local’ food as Everyday Resistance Digitisation, Platformisation, and Online Retail of Rural Products 283
  37. Notes from the Field
  38. 3.4 Participatory Art On-off a Digital Platform A Mobius Strip: On Cyber Nails in Curated Nails 291
  39. 3.5 Ongoing Digitisation and Independent Chinese Documentary A Field Report from Beijing 2015-2016 299
  40. In Dialogue
  41. 3.6 Digitisation with (in/out) Borders 307
  42. Index 315
Downloaded on 17.4.2026 from https://www.degruyterbrill.com/document/doi/10.1515/9789048535538-toc/html
Scroll to top button