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Chapter
Open Access
Table of Contents
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Acknowledgments 11
- I. Introduction: We Must Create? 13
- II. ‘Creative China’ and Its Potential to Problematise Western- Modern-Romantic Ideologies of Creativity 39
-
Section 1: Boredom
-
Essays
- 1.1 Create No More! Clutter and Boredom, a Hong Kong Perspective 53
- 1.2 Combating the Boredom of Traditional Performing Arts? The Case of Muyuge 77
-
Interlocuting
- 1.3 You Must (Not) Be Bored! Boredom and Creativity in Global Capitalism 101
- 1.4 Boredom and Creativity in the Era of Accelerated Living 110
-
Notes from the Field
- 1.5 Evaporating Ennui Water Calligraphy in Beijing 121
- 1.6 Male Cinderella on the Small Screen in mainland China 132
-
In Dialogue
- 1.7 ‘Performativity’ in the Age of Banality 139
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Section 2: Shanzhai
-
Essays
- 2.1 New Productive Culture Shanzhai or Second Degree of Creation? 149
- 2.2 Creative ‘Shanzhai Labour’? Leung Mee-ping’s ‘Made in Hong Kong/Shenzhen’ 171
- 2.3 Maoism and Disruptive Creativity Shanzhai – an Alternative Perspective 186
-
Interlocuting
- 2.4 ‘Isn’t that funny?’ The Unsettling Effect of Shanzhai Products 211
- 2.5 Shanzhai = Creativity, Creativity = Shanzhai 217
-
Notes from the Field
- 2.6 Bringing the Chinese Dream to the U.S. A Curatorial Practice in Art Education 225
- 2.7 ‘Banal Creativity’ What Does It Mean to Be Creative for Hunan TV Practitioners? 235
-
In Dialogue
- 2.8 Two sides of SZ (Shanzhai & Shenzhen) 243
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Section 3: Digitisation
-
Essay
- 3.1 Creativity, Affordances, and Chinese Traditional Culture 255
-
Interlocuting
- 3.2 Digital Payment, Vernacular Creativity, and Governmentality 275
- 3.3 Shopping ‘Natural’ and ‘Local’ food as Everyday Resistance Digitisation, Platformisation, and Online Retail of Rural Products 283
-
Notes from the Field
- 3.4 Participatory Art On-off a Digital Platform A Mobius Strip: On Cyber Nails in Curated Nails 291
- 3.5 Ongoing Digitisation and Independent Chinese Documentary A Field Report from Beijing 2015-2016 299
-
In Dialogue
- 3.6 Digitisation with (in/out) Borders 307
- Index 315
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Acknowledgments 11
- I. Introduction: We Must Create? 13
- II. ‘Creative China’ and Its Potential to Problematise Western- Modern-Romantic Ideologies of Creativity 39
-
Section 1: Boredom
-
Essays
- 1.1 Create No More! Clutter and Boredom, a Hong Kong Perspective 53
- 1.2 Combating the Boredom of Traditional Performing Arts? The Case of Muyuge 77
-
Interlocuting
- 1.3 You Must (Not) Be Bored! Boredom and Creativity in Global Capitalism 101
- 1.4 Boredom and Creativity in the Era of Accelerated Living 110
-
Notes from the Field
- 1.5 Evaporating Ennui Water Calligraphy in Beijing 121
- 1.6 Male Cinderella on the Small Screen in mainland China 132
-
In Dialogue
- 1.7 ‘Performativity’ in the Age of Banality 139
-
Section 2: Shanzhai
-
Essays
- 2.1 New Productive Culture Shanzhai or Second Degree of Creation? 149
- 2.2 Creative ‘Shanzhai Labour’? Leung Mee-ping’s ‘Made in Hong Kong/Shenzhen’ 171
- 2.3 Maoism and Disruptive Creativity Shanzhai – an Alternative Perspective 186
-
Interlocuting
- 2.4 ‘Isn’t that funny?’ The Unsettling Effect of Shanzhai Products 211
- 2.5 Shanzhai = Creativity, Creativity = Shanzhai 217
-
Notes from the Field
- 2.6 Bringing the Chinese Dream to the U.S. A Curatorial Practice in Art Education 225
- 2.7 ‘Banal Creativity’ What Does It Mean to Be Creative for Hunan TV Practitioners? 235
-
In Dialogue
- 2.8 Two sides of SZ (Shanzhai & Shenzhen) 243
-
Section 3: Digitisation
-
Essay
- 3.1 Creativity, Affordances, and Chinese Traditional Culture 255
-
Interlocuting
- 3.2 Digital Payment, Vernacular Creativity, and Governmentality 275
- 3.3 Shopping ‘Natural’ and ‘Local’ food as Everyday Resistance Digitisation, Platformisation, and Online Retail of Rural Products 283
-
Notes from the Field
- 3.4 Participatory Art On-off a Digital Platform A Mobius Strip: On Cyber Nails in Curated Nails 291
- 3.5 Ongoing Digitisation and Independent Chinese Documentary A Field Report from Beijing 2015-2016 299
-
In Dialogue
- 3.6 Digitisation with (in/out) Borders 307
- Index 315