Kapitel
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7. Cartographies of the Postmodern
-
Sulgi Lie
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Kapitel in diesem Buch
- Frontmatter 1
- Table of Contents 5
- New Preface to the English Edition 7
- Preface 9
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Part I. The Absent Cause of Film: On the Theory of Enunciation and Suture
- Introduction 13
- 1. On Enunciation in Apparatus Theory 25
- 2. On Enunciation without an Enunciator: Suture 55
- 3. On the Pragmatics of Enunciation 89
- 4. On the Acousmatics of Enunciation: Back to the Suture 117
- 5. The Political Uncanny, or the Return of the Repressed: Caché 149
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Part II. Allegories of Totality: Fredric Jameson’s Political Film Aesthetics
- Introduction 171
- 6. The Dialectics of Mass Culture 177
- 7. Cartographies of the Postmodern 205
- 8. Geopolitical Aesthetics 233
- 9. The Political Uncanny, or the Return of Domination: The Shining 265
- Filmography 315
- Bibliography 317
- Index of Names 331
Kapitel in diesem Buch
- Frontmatter 1
- Table of Contents 5
- New Preface to the English Edition 7
- Preface 9
-
Part I. The Absent Cause of Film: On the Theory of Enunciation and Suture
- Introduction 13
- 1. On Enunciation in Apparatus Theory 25
- 2. On Enunciation without an Enunciator: Suture 55
- 3. On the Pragmatics of Enunciation 89
- 4. On the Acousmatics of Enunciation: Back to the Suture 117
- 5. The Political Uncanny, or the Return of the Repressed: Caché 149
-
Part II. Allegories of Totality: Fredric Jameson’s Political Film Aesthetics
- Introduction 171
- 6. The Dialectics of Mass Culture 177
- 7. Cartographies of the Postmodern 205
- 8. Geopolitical Aesthetics 233
- 9. The Political Uncanny, or the Return of Domination: The Shining 265
- Filmography 315
- Bibliography 317
- Index of Names 331