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12. Works and Words, 1979 : Manifesting Eastern European Film and/as Art in Amsterdam
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Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Acknowledgments 7
- Introduction 11
-
Part I Key Figures
- 1. The Experimentalism of Gábor Bódy 33
- 2. Circles, Lines, and Documentary Designs : Tomislav Gotovac’s Belgrade Trilogy 59
- 3. From the Workshop of the Film Form to Martial Law : On the Intersecting and Bifurcating Paths of Paweł Kwiek’s and Józef Robakowski’s Cinematographic Work in the 1970s and the 1980s 77
-
Part II Production, Support, and Distribution
- 4. Amateur Cinema in Bulgaria 101
- 5. The Polish Educational Film Studio and the Cinema of Wojciech Wiszniewski 125
- 6. Home Movies and Cinematic Memories: Fixing the Gaze on Vukica Đilas and Tatjana Ivančić 151
-
Part III Viewing Contexts, Theories, and Reception
- 7. Alone in the Cinemascope 175
- 8. kinema ikon—Experiments in Motion (1970–89) 197
- 9. AudioVision : Sound, Music, and Noise in East German Experimental Films 221
-
Part IV Intersection of the Arts
- 10. Intersections of Art and Film on the Wrocław Art Scene, 1970–80 243
- 11. Conceptual Artist, Cognitive Film: Miklós Erdély at the Balázs Béla Studio 265
- 12. Works and Words, 1979 : Manifesting Eastern European Film and/as Art in Amsterdam 293
- 13. Wizardry on a Shoestring : Čaroděj and Experimental Filmmaking in Late Socialist Czechoslovakia 317
- Index 329
Chapters in this book
- Frontmatter 1
- Table of Contents 5
- Acknowledgments 7
- Introduction 11
-
Part I Key Figures
- 1. The Experimentalism of Gábor Bódy 33
- 2. Circles, Lines, and Documentary Designs : Tomislav Gotovac’s Belgrade Trilogy 59
- 3. From the Workshop of the Film Form to Martial Law : On the Intersecting and Bifurcating Paths of Paweł Kwiek’s and Józef Robakowski’s Cinematographic Work in the 1970s and the 1980s 77
-
Part II Production, Support, and Distribution
- 4. Amateur Cinema in Bulgaria 101
- 5. The Polish Educational Film Studio and the Cinema of Wojciech Wiszniewski 125
- 6. Home Movies and Cinematic Memories: Fixing the Gaze on Vukica Đilas and Tatjana Ivančić 151
-
Part III Viewing Contexts, Theories, and Reception
- 7. Alone in the Cinemascope 175
- 8. kinema ikon—Experiments in Motion (1970–89) 197
- 9. AudioVision : Sound, Music, and Noise in East German Experimental Films 221
-
Part IV Intersection of the Arts
- 10. Intersections of Art and Film on the Wrocław Art Scene, 1970–80 243
- 11. Conceptual Artist, Cognitive Film: Miklós Erdély at the Balázs Béla Studio 265
- 12. Works and Words, 1979 : Manifesting Eastern European Film and/as Art in Amsterdam 293
- 13. Wizardry on a Shoestring : Čaroděj and Experimental Filmmaking in Late Socialist Czechoslovakia 317
- Index 329