Kapitel
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3. Critical, Controversial, Conventional: Viennese Girls in Films by Ophüls, Feyder, Hochbaum, and Forst
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Alexandra Seibel
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Kapitel in diesem Buch
- Frontmatter 1
- Contents 5
- 1. Introduction: Vienna in Cinema: A Traveling Image, 1920–40 9
- 2. Fairgrounds and Vineyards: Urban Topographies in the Viennese Films of Erich von Stroheim 25
- 3. Critical, Controversial, Conventional: Viennese Girls in Films by Ophüls, Feyder, Hochbaum, and Forst 65
- 4. Women and the Market of Modernity: G.W. Pabst’s The Joyless Street (1925) 109
- 5. The Sound of Make-Believe: Ernst Lubitsch and the World of the Operetta 155
- 6. Conclusion 205
- Acknowledgements 213
- Notes 215
- Illustration Credits 229
- Filmography 231
- Bibliography 235
- Index of Film Titles 247
- Index of Names and Subjects 249
Kapitel in diesem Buch
- Frontmatter 1
- Contents 5
- 1. Introduction: Vienna in Cinema: A Traveling Image, 1920–40 9
- 2. Fairgrounds and Vineyards: Urban Topographies in the Viennese Films of Erich von Stroheim 25
- 3. Critical, Controversial, Conventional: Viennese Girls in Films by Ophüls, Feyder, Hochbaum, and Forst 65
- 4. Women and the Market of Modernity: G.W. Pabst’s The Joyless Street (1925) 109
- 5. The Sound of Make-Believe: Ernst Lubitsch and the World of the Operetta 155
- 6. Conclusion 205
- Acknowledgements 213
- Notes 215
- Illustration Credits 229
- Filmography 231
- Bibliography 235
- Index of Film Titles 247
- Index of Names and Subjects 249
