Chapters in this book

1. Frontmatter 1
2. Table of Contents 5
3. Preface 7
4. Cinematic Color as Likeness and as Artifact 11
5. Chords of Color 33
6. The Tension of Colors in Colorized Silent Films 61
7. Structural Film, Structuring Color: Jenny Okun’s Still Life 75
8. Desert Fury: A Film Noir in Color 89
9. The Work of the Camera: Beau travail 109
10. Empathy with the Animal 125
11. Motor Mimicry in Hitchcock 135
12. Abstraction and Empathy in the Early German Avant-garde 145
13. The Role of Empathy in Documentary Film: A Case Study 173
14. Genre Conflict in Tracey Emin’s Top Spot 199
15. Viewer Empathy and Mosaic Structure in Frederick Wiseman’s Primate 221
16. Casta Diva: An Empathetic Reading 241
17. Publication Data 259
18. Index of Films 261
19. Index of Subjects 263
20. Film Culture in Transition 265