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4.2. History of Religions in the Making

Franz Cumont (1868-1947) and the ‘Oriental Religions’
  • Eline Scheerlinck
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The Making of the Humanities, Volume III
This chapter is in the book The Making of the Humanities, Volume III
© 2018 Amsterdam University Press, Amsterdam

© 2018 Amsterdam University Press, Amsterdam

Chapters in this book

  1. Frontmatter 1
  2. Table of Contents 7
  3. Introduction 13
  4. I The Humanities and the Sciences
  5. 1.1. Objectivity and Impartiality 27
  6. 1.2. The Natural Sciences and the Humanities in the Seventeenth Century 43
  7. 1.3. The Interaction between Sciences and Humanities in Nineteenth-Century Scientific Materialism 53
  8. 1.4. The Best Story of the World 65
  9. II The Science of Language
  10. 2.1. The Wolf in Itself 81
  11. 2.2. Soviet Orientalism and Subaltern Linguistics 97
  12. 2.3. Root and Recursive Patterns in the Czuczor- Fogarasi Dictionary of the Hungarian Language1 113
  13. III Writing History
  14. 3.1. A Domestic Culture 129
  15. 3.2. History Made More Scholarly and Also More Popular 145
  16. 3.3. The Professionalization of the Historical Discipline 157
  17. 3.4. Manuals on Historical Method 171
  18. 3.5. The Peculiar Maturation of the History of Science 183
  19. IV Classical Studies and Philology
  20. 4.1. Quellenforschung 207
  21. 4.2. History of Religions in the Making 219
  22. 4.3. ‘Big Science’ in Classics in the Nineteenth Century and the Academicization of Antiquity 233
  23. 4.4. New Philology and Ancient Editors 251
  24. 4.5. What Books Are Made of 265
  25. V Literary and Theater Studies
  26. 5.1. Furio Jesi and the Culture of the Right 283
  27. 5.2 Scientification and Popularization in the Historiography of World Literature, 1850-1950 299
  28. 5.3. Theater Studies from the Early Twentieth Century to Contemporary Debates 313
  29. VI Art History and Archeology
  30. 6.1. Embracing World Art 329
  31. 6.2 .Generic Classification and Habitual Subject Matter 345
  32. 6.3. The Recognition of Cave Art in the Iberian Peninsula and the Making of Prehistoric Archeology, 1878-1929 359
  33. VII Musicology and Aesthetics
  34. 7.1. Between Sciences and Humanities 379
  35. 7.2. Melting Musics, Fusing Sounds 391
  36. 7.3. The History of Musical Iconography and the Influence of Art History 403
  37. VIII East and West
  38. 8.1. The Making of Oriental Studies 415
  39. 8.2. The Emergence of East Asian Art History in the 1920s 431
  40. 8.3. Cross-Cultural Epistemology 449
  41. IX Information Science and Digital Humanities
  42. 9.1. Historical Roots of Information Sciences and the Making of E-Humanities 465
  43. 9.2. Toward a Humanities of the Digital? 479
  44. 9.3. A Database, Nationalist Scholarship, and Materialist Epistemology in Netherlandish Philology 495
  45. 9.4. Clio’s Talkative Daughter Goes Digital 511
  46. 9.5. The Humanities’ New Methods 527
  47. X Philosophy and the Humanities
  48. 10.1. Making the Humanities Scientific 543
  49. 10.2. The Weimar Origins of Political Theory 555
  50. XI The Humanities and the Social Sciences
  51. 11.1. Explaining Verstehen 569
  52. 11.2. Discovering Sexuality 583
  53. 11.3. The Role of Technomorphic and Sociomorphic Imagery in the Long Struggle for a Humanistic Sociology 597
  54. 11.4. Sociology and the Proliferation of Knowledge 609
  55. 11.5. Inhumanity in the Humanities 627
  56. XII The Humanities in Society
  57. 12.1. The Making and Persisting of Modern German Humanities 641
  58. 12.2. Critique and Theory in the History of the Modern Humanities 655
  59. Epilogue 667
  60. About the Authors 687
  61. List of Figures 699
  62. Index 703
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