Chapters in this book

1. Frontmatter 1
2. Contents 5
3. Editorial 7
4. Acknowledgments 9
5. Introduction: Rethinking Subjectivity in Film 11
6. Part I From Mind to Film, from Film to Mind
7. The Cinema as Art of the Mind: Hugo Münsterberg, First Theorist of Subjectivity in Film 23
8. The Representation of Experience in Cinema 41
9. Beyond Subjectivity: The Film Experience 53
10. Part II Ways of Expressing Subjectivity
11. The Man Who Wasn’t There: The Production of Subjectivity in Delmer Daves’ Dark Passage 69
12. From Aesthetic Experience to the Loss of Identity, in Three Steps 85
13. Robert Bresson and the Voices of an Inner World: “I” Can Never Be “You,” or the Impossible Identification 99
14. The Silence of the Lenses: Blow Up and the Subject of Photography 119
15. Part III Subjectivity and the Epistemology of Film Studies
16. Beyond Subjectivity. Bakhtin’s Dialogism and the Moving Image 135
17. Imaginary Subject 147
18. A Philosophical Approach to Subjectivity in Film Form 161
19. Part IV Conversation Subjectivity in Artistic Coupling
20. Conversation with Maria Klonaris and Katerina Thomadaki 189
21. Notes 207
22. General Bibliography 235
23. Notes on Contributors 249
24. Index of Names 253
25. Index of Film Titles 259
26. Index of Subjects 261