Touching Base: Some GermanWomen Directors in the 1980s

Kapitel in diesem Buch

1. Frontmatter 1
2. Table of Contents 5
3. Preface 9
4. Introduction
5. European Cinema: Conditions of Impossibility? 13
6. National Cinema: Re-Definitions and New Directions
7. European Culture, National Cinema, the Auteur and Hollywood 35
8. ImpersoNations: National Cinema, Historical Imaginaries 57
9. Film Festival Networks: The New Topographies of Cinema in Europe 82
10. Double Occupancy and Small Adjustments: Space, Place and Policy in the New European Cinema since the 1990s 108
11. Auteurs and Art Cinemas: Modernism and Self-Reference, Installation Art and Autobiography
12. Ingmar Bergman – Person and Persona: The Mountain of Modern Cinema on the Road to Morocco 133
13. Late Losey: Time Lost and Time Found 155
14. Around Painting and the “End of Cinema”: A Propos Jacques Rivette’s La Belle Noiseuse 165
15. Spellbound by Peter Greenaway: In the Dark ... and Into the Light 178
16. The Body as Perceptual Surface: The Films of Johan van der Keuken 193
17. Television and the Author’s Cinema: ZDF’s Das Kleine Fernsehspiel 212
18. Touching Base: Some GermanWomen Directors in the 1980s 219
19. Europe-Hollywood-Europe
20. Two Decades in Another Country: Hollywood and the Cinephiles 233
21. Raoul Ruiz’s L’Hypothèse du Tableau Volé 251
22. Images for Sale: The “New” British Cinema 255
23. “If YouWant a Life”: The Marathon Man 270
24. British Television in the 1980s Through The Looking Glass 278
25. German Cinema Face to Face with Hollywood: Looking into a Two-Way Mirror 299
26. Central Europe Looking West
27. Of Rats and Revolution: Dusan Makavejev’s The Switchboard Operator 321
28. Defining DEFA’s Historical Imaginary: The Films of KonradWolf 325
29. UnderWestern Eyes: What Does Žižek Want? 342
30. Our Balkanist Gaze: About Memory’s No Man’s Land 356
31. Europe Haunted by History and Empire
32. Is History an Old Movie? 373
33. Edgar Reitz’s Heimat: Memory, Home and Hollywood 384
34. Discourse and History: One Man’s War – An Interview with Edgardo Cozarinsky 395
35. Rendezvous with the French Revolution: Ettore Scola’s That Night in Varennes 407
36. Joseph Losey’s The Go-Between 412
37. Games of Love and Death: Peter Greenaway and Other Englishmen 420
38. Border-Crossings: Filmmaking without a Passport
39. Peter Wollen’s Friendship’s Death 433
40. Andy Engel’s Melancholia 436
41. On The High Seas: Edgardo Cozarinsky’s Dutch Adventure 440
42. Third Cinema/World Cinema: An Interview with Ruy Guerra 444
43. Ruy Guerra’s Erendira 461
44. Hyper-, Retro- or Counter-: European Cinema as Third Cinema between Hollywood and Art Cinema 464
45. Conclusion
46. European Cinema as World Cinema: A New Beginning? 485
47. European Cinema: A Brief Bibliography 515
48. List of Sources and Places of First Publication 531
49. Index of Names 535
50. Index of Film Titles / Subjects 549