Chapter
Open Access
Epistemological Quandary
Why Hip-Hop Scholars Must Ground Their Transcultural Arguments in the Work of Fernando Ortiz
-
Terence Kumpf
Chapters in this book
- Frontmatter 1
- Contents 7
- Acknowledgments 9
- Preface 11
- Remixing the Hip-Hop Narrative 17
- Epistemological Quandary 47
- Hip Hop Becomes Mainstream 77
- “Double the Struggle” 105
- “Where the Rhymes at?” 133
- YEEK! 159
- Identity Transgressions as Transgressions of the Art Form 185
- Afro-Cosmopolitanisms 209
- “Ich lebe für Hip Hop” 235
- Producing Hip-Hop Culture and Identity 259
- Chronicling New York Reggae and Hip Hop’s Crossroads, and Community Media as Historical Archives from the Ground Up 289
- Contributors 323
Chapters in this book
- Frontmatter 1
- Contents 7
- Acknowledgments 9
- Preface 11
- Remixing the Hip-Hop Narrative 17
- Epistemological Quandary 47
- Hip Hop Becomes Mainstream 77
- “Double the Struggle” 105
- “Where the Rhymes at?” 133
- YEEK! 159
- Identity Transgressions as Transgressions of the Art Form 185
- Afro-Cosmopolitanisms 209
- “Ich lebe für Hip Hop” 235
- Producing Hip-Hop Culture and Identity 259
- Chronicling New York Reggae and Hip Hop’s Crossroads, and Community Media as Historical Archives from the Ground Up 289
- Contributors 323