Chapter
Open Access
3. Modern Masculinity as Battleground of Identity Politics. Otto Weininger’s Sex and Character (1903)
-
Ulrike Brunotte
Chapters in this book
- Frontmatter 1
- Contents 5
- Introduction 9
- 1. “All Jews are womanly, but no women are Jews.”1 The Femininity Game of Deception: Femme fatale Orientale, and belle Juive 21
- 2. Queering Judaism and Masculinist Inventions: German Homonationalism around 1900 55
- 3. Modern Masculinity as Battleground of Identity Politics. Otto Weininger’s Sex and Character (1903) 79
- 4. Against Effeminization. Sigmund Freud’s Theory of Culture between Male Band Discourse and Antisemitism 97
- 5. The “Jewess Question”. The Figure of the “Beautiful Jewess” between (Self-)Orientalism and Antisemitism 137
- 6. Seeing, Hearing and Narrating Salome. Modernist Sensual Aesthetics and the Role of Narrative Blanks 159
- 7. “Dancing on the Threshold”. Maud Allan and the English Salome Scandal 183
- 8. “Where there is dance, there is the devil”. Femininity and Violence: Salome as a Maenad 213
- Acknowledgments and Print Proofs 231
- Notes on the Author 233
Chapters in this book
- Frontmatter 1
- Contents 5
- Introduction 9
- 1. “All Jews are womanly, but no women are Jews.”1 The Femininity Game of Deception: Femme fatale Orientale, and belle Juive 21
- 2. Queering Judaism and Masculinist Inventions: German Homonationalism around 1900 55
- 3. Modern Masculinity as Battleground of Identity Politics. Otto Weininger’s Sex and Character (1903) 79
- 4. Against Effeminization. Sigmund Freud’s Theory of Culture between Male Band Discourse and Antisemitism 97
- 5. The “Jewess Question”. The Figure of the “Beautiful Jewess” between (Self-)Orientalism and Antisemitism 137
- 6. Seeing, Hearing and Narrating Salome. Modernist Sensual Aesthetics and the Role of Narrative Blanks 159
- 7. “Dancing on the Threshold”. Maud Allan and the English Salome Scandal 183
- 8. “Where there is dance, there is the devil”. Femininity and Violence: Salome as a Maenad 213
- Acknowledgments and Print Proofs 231
- Notes on the Author 233