Kapitel in diesem Buch

1. Frontmatter 1
2. Contents 5
3. Preface 7
4. Welcome Notes 9
5. Musikvermittlung and Its Innovative Potential 11
6. Listening Twice to Bernhard Gander’s “Peter Parker” 39
7. The Big Bang of Musikvermittlung 47
8. On the Translation of Music 71
9. Slam Poetry Meets Classical Music 93
10. Under a Preservation Order? 97
11. The Promotion of Pleasure in Individual Perception 115
12. Musikvermittlung as Everyday Practice 121
13. Practical Intelligence and the Limitations of Practitioners 131
14. Engaging with New Audiences 151
15. Hear – Taste – See: UISGE BEATHA – Waters of Life 169
16. Artful Innovation 179
17. Just join in? Audience Participation in Classical Contemporary Music 199