Chapter
Open Access
Disembodiment and South Asian Performance Cultures
-
Rumya S. Putcha
Chapters in this book
- Frontmatter 1
- Contents 5
- Ambivalences in Music and Democracy: Introductory Remarks 7
-
Part 1: From Recorded Democracy to Digital Participation?
- Entrepreneurial Tapists 19
- New Model, Same Old Stories? 61
-
Part 2: Political Impacts of Bourgeois Music Culture
- The National Society of Music (1915–1922) and the Ambivalent Democratization of Music in Spain 87
- Verdi at the Heart of the Dictatorship 107
-
Part 3: (Non‐)Democratic Participation in Popular Music and Performance Cultures
- The Intervision Song Contest 141
- “Vodka, Beer, Papirosy" 157
- Disembodiment and South Asian Performance Cultures 175
-
Part 4: Sonic Implications of Political Changes
- Music Activism in Serbia at the Turn of the Millennium 203
- Expanding Musical Inclusivity 235
- About mdwPress 267
Chapters in this book
- Frontmatter 1
- Contents 5
- Ambivalences in Music and Democracy: Introductory Remarks 7
-
Part 1: From Recorded Democracy to Digital Participation?
- Entrepreneurial Tapists 19
- New Model, Same Old Stories? 61
-
Part 2: Political Impacts of Bourgeois Music Culture
- The National Society of Music (1915–1922) and the Ambivalent Democratization of Music in Spain 87
- Verdi at the Heart of the Dictatorship 107
-
Part 3: (Non‐)Democratic Participation in Popular Music and Performance Cultures
- The Intervision Song Contest 141
- “Vodka, Beer, Papirosy" 157
- Disembodiment and South Asian Performance Cultures 175
-
Part 4: Sonic Implications of Political Changes
- Music Activism in Serbia at the Turn of the Millennium 203
- Expanding Musical Inclusivity 235
- About mdwPress 267