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Kapitel
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General Index
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Kapitel in diesem Buch
- Frontmatter 1
- Content 5
- Preface 7
- Introduction: Musicology, Musical Modernity, and the Challenges of Entangled History 9
- Modernity as Postcolonial Encounter in Korean Music 41
- Modernity, Regionality, and Twentieth-Century Symphony: On Jean Sibelius and Yamada Kōsaku 63
- Music at the Service of Nordic Modernity? Wilhelm Stenhammar’s Opening Cantata for the “General Arts and Industries Exhibition” in Stockholm in 1897 87
- Different Interpretations of Musical Modernity? Xiao Youmei’s Studies in Leipzig and the Foundation of the Modern Chinese Folk Orchestra 123
- Traditional Music, Alternative Modernity, and Internal Colonialism: Reassessing the Campaigns for National Music and Folk Songs in Taiwan 145
- Reflexivity as Method: A Historiographical Comparison of Finnish Pelimanni Music and Taiwanese Hakka Music 173
- Nonsimultaneity of the Simultaneous: Internationalism and Universalism in Postwar Art Music until the 1970s 207
- Synchronizing Twentieth-Century Music: A Transnational Reflection 247
- Multiple Musical Modernities? Dahlhaus, Eisenstadt, and the Case of Japan 279
- Contemplating East Asian Music History in Regional and Global Contexts: On Modernity, Nationalism, and Colonialism 313
- General Index 345
- Authors 371
Kapitel in diesem Buch
- Frontmatter 1
- Content 5
- Preface 7
- Introduction: Musicology, Musical Modernity, and the Challenges of Entangled History 9
- Modernity as Postcolonial Encounter in Korean Music 41
- Modernity, Regionality, and Twentieth-Century Symphony: On Jean Sibelius and Yamada Kōsaku 63
- Music at the Service of Nordic Modernity? Wilhelm Stenhammar’s Opening Cantata for the “General Arts and Industries Exhibition” in Stockholm in 1897 87
- Different Interpretations of Musical Modernity? Xiao Youmei’s Studies in Leipzig and the Foundation of the Modern Chinese Folk Orchestra 123
- Traditional Music, Alternative Modernity, and Internal Colonialism: Reassessing the Campaigns for National Music and Folk Songs in Taiwan 145
- Reflexivity as Method: A Historiographical Comparison of Finnish Pelimanni Music and Taiwanese Hakka Music 173
- Nonsimultaneity of the Simultaneous: Internationalism and Universalism in Postwar Art Music until the 1970s 207
- Synchronizing Twentieth-Century Music: A Transnational Reflection 247
- Multiple Musical Modernities? Dahlhaus, Eisenstadt, and the Case of Japan 279
- Contemplating East Asian Music History in Regional and Global Contexts: On Modernity, Nationalism, and Colonialism 313
- General Index 345
- Authors 371