Kapitel in diesem Buch

1. Frontmatter 1
2. Content 5
3. Preface 7
4. Introduction: Musicology, Musical Modernity, and the Challenges of Entangled History 9
5. Modernity as Postcolonial Encounter in Korean Music 41
6. Modernity, Regionality, and Twentieth-Century Symphony: On Jean Sibelius and Yamada Kōsaku 63
7. Music at the Service of Nordic Modernity? Wilhelm Stenhammar’s Opening Cantata for the “General Arts and Industries Exhibition” in Stockholm in 1897 87
8. Different Interpretations of Musical Modernity? Xiao Youmei’s Studies in Leipzig and the Foundation of the Modern Chinese Folk Orchestra 123
9. Traditional Music, Alternative Modernity, and Internal Colonialism: Reassessing the Campaigns for National Music and Folk Songs in Taiwan 145
10. Reflexivity as Method: A Historiographical Comparison of Finnish Pelimanni Music and Taiwanese Hakka Music 173
11. Nonsimultaneity of the Simultaneous: Internationalism and Universalism in Postwar Art Music until the 1970s 207
12. Synchronizing Twentieth-Century Music: A Transnational Reflection 247
13. Multiple Musical Modernities? Dahlhaus, Eisenstadt, and the Case of Japan 279
14. Contemplating East Asian Music History in Regional and Global Contexts: On Modernity, Nationalism, and Colonialism 313
15. General Index 345
16. Authors 371