Radio as Art
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Edited by:
Anne Thurmann-Jajes
About this book
Acoustic signals, voice, sound, articulation, music and spatial networking are dispositifs of radiophonic transmission which have brought forth a great number of artistic practices. Up to and into the digital present radio has been and is employed and explored as an apparatus-based structure as well as an expanded model for performance and perception. This volume investigates a broad range of aesthetic experiments with the broadcasting technology of radio, and the use of radio as a means of disseminating artistic concepts. With exemplary case studies, its contributions link conceptual, recipient-response-related, and sociocultural issues to matters of relevance to radio art's mediation.
Author / Editor information
Sarah Schönewald (Dr. phil.) ist Kunstwissenschaftlerin und Kunstvermittlerin. Sie ist wissenschaftliche Mitarbeiterin bei den Staatlichen Museen zu Berlin – Stiftung Preußischer Kulturbesitz. Von 2011 bis 2017 war sie als wissenschaftliche Mitarbeiterin am Institut für Kunstwissenschaft – Filmwissenschaft – Kunstpädagogik der Universität Bremen tätig.
Reviews
»Das Buch [gibt] einen tiefen Einblick in die Spannweite des Radios, speziell als Kunstform. Und so kann man gar nicht anders, als nach dem letzten Kapitel zu hoffen, dass Radiokunst in Zukunft noch mehr Aufmerksamkeit bekommen wird.«
Supplementary Materials
Topics
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Publicly Available Download PDF |
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Publicly Available Download PDF |
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Introduction
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Requires Authentication Unlicensed Licensed |
9 |
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Jee-Hae Kim Requires Authentication Unlicensed Licensed |
36 |
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Hank Bull Requires Authentication Unlicensed Licensed |
39 |
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Tetsuo Kogawa Requires Authentication Unlicensed Licensed |
50 |
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I. RADIO SPACE
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Sarah Rothe Requires Authentication Unlicensed Licensed |
55 |
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Colin Black Requires Authentication Unlicensed Licensed |
64 |
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Andreas Zeising Requires Authentication Unlicensed Licensed |
80 |
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II. RADIO ART: ARTISTIC PRODUCTION AND/OR POLITICAL PRACTICE
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Philip Glahn Requires Authentication Unlicensed Licensed |
99 |
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Claudia Wegener Requires Authentication Unlicensed Licensed |
107 |
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Franziska Rauh Requires Authentication Unlicensed Licensed |
118 |
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Ursula Frohne Requires Authentication Unlicensed Licensed |
127 |
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III. INSTITUTIONAL FRAMING AND AGENCY
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Sibylle Omlin Requires Authentication Unlicensed Licensed |
163 |
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Sarah Washington Requires Authentication Unlicensed Licensed |
173 |
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Nathalie Singer Requires Authentication Unlicensed Licensed |
178 |
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Andreas Hagelüken Requires Authentication Unlicensed Licensed |
182 |
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IV. RADIO ART AS ACTION
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Roksana Filipowska Requires Authentication Unlicensed Licensed |
191 |
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Kai van Eikels Requires Authentication Unlicensed Licensed |
205 |
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Jee-Hae Kim Requires Authentication Unlicensed Licensed |
224 |
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Irina Gheorghe Requires Authentication Unlicensed Licensed |
232 |
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V. WORDS-SOUND-MUSIC
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Lauren Rosati Requires Authentication Unlicensed Licensed |
243 |
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Nadine Hahn Requires Authentication Unlicensed Licensed |
255 |
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Ania Mauruschat Requires Authentication Unlicensed Licensed |
268 |
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Vito Pinto Requires Authentication Unlicensed Licensed |
276 |
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Anne Thurmann-Jajes Requires Authentication Unlicensed Licensed |
292 |
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Requires Authentication Unlicensed Licensed |
303 |
