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book: Knowledge in Motion
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Knowledge in Motion

Perspectives of Artistic and Scientific Research in Dance
  • Edited by: Sabine Gehm , Pirkko Husemann and Katharina von Wilcke
Language: English
Published/Copyright: 2007
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About this book

In a globalised society, dance is gaining in importance as a means of conveying body knowledge: It is perceived as an art form in itself, is fostered and cultivated within the bounds of cultural and educational policy, and is increasingly becoming the subject of research. Dance is in motion all over the world, and with it the knowledge that it holds. But what does body knowledge in motion constitute, how is it produced, how can it be researched and conveyed? Renowned choreographers, dancers, theorists and pedagogues describe the unique potential of dance as an archive and medium as well as its significance at the interface between art and science. Contributors are, among others, Gabriele Brandstetter, Dieter Heitkamp, Royston Maldoom and Meg Stuart.

Author / Editor information

Gehm Sabine :

Sabine Gehm, Kulturwissenschaftlerin, arbeitet als freie Kuratorin und ist künstlerische Leiterin des Festivals TANZ Bremen.

Husemann Pirkko :

Pirkko Husemann (Dr. phil.) promovierte am Institut für Theater-, Film- und Medienwissenschaft der Goethe-Universität in Frankfurt/Main. Sie ist Tanzkuratorin am Hebbel am Ufer in Berlin. Gemeinsam mit Sabine Gehm und Katharina von Wilcke kuratierte sie den Tanzkongress Deutschland 2006. Daraus hervorgegangen ist der Sammelband »Wissen in Bewegung. Perspektiven der künstlerischen und wissenschaftlichen Forschung im Tanz« (erschienen 2007 auf Deutsch und Englisch bei transcript).

Wilcke Katharina von :

Katharina von Wilcke ist Literaturwissenschaftlerin und arbeitet als freie Kulturmanagerin und Kuratorin im Tanz- und Theaterbereich.


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Hortensia Völckers
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Sabine Gehm, Pirkko Husemann and Katharina von Wilcke
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Dance as Culture of Knowledge

Gabriele Klein
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Body Memory and the Challenge of Theoretical Knowledge
Gabriele Brandstetter
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The Blackmarket for Useful Knowledge and Non-Knowledge
Bojana Cvejic
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Peter Stamer
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Artistic Research

Henk Borgdorff
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Marijke Hoogenboom
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Rebecca Groves, Norah Zuniga Shaw and Scott DeLahunta
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An Introduction to the Method of Real-Time Composition
João Fiadeiro
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101

Notes on an Alternative Choreographic Mode for the Production of Speech
Jeroen Peeters
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111
Body Knowledge and Body Memory

Alva Noë
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Meg Stuart and Scott DeLahunta
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129

How the Pioneers of Movement Studies Inspire Dance
Irene Sieben
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137

Dieter Heitkamp and Gabriele Wittmann
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147

Dance Medicine in Dance Training and the Professional Career
Eileen M. Wanke
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155
Dance History and Reconstruction

A Personal View on Dance History and Reconstruction
Jason Beechey
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165

Experiences with Dancing Competence
Claudia Jeschke
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173

How Pina Bausch Keeps Her Repertoire in Shape
Norbert Servos
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185

Yvonne Hardt, Waltraud Luley, Susanne Linke and Martin Nachbar
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193

Ways of Interpreting Dance
Julia Cima and Alexandra Baudelot
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201

On the Difficult Relationship between Movement and History
Inge Baxmann
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Felix Ruckert
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Aesthetic Experience in Performances
Erika Fischer-Lichte
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Rudi Laermans
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Hooman Sharifi and Björn Dirk Schlüter
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The Impossibility and Possibilities of Contemporary Dance Critique
Constanze Klementz
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251
Professional Education and Retraining in Dance

Boris Charmatz and Jeroen Peeters
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259

Thomas Lehmen and Pirkko Husemann
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267

A Model for Classification of Dance Techniques
Kurt Koegel
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275

Ingo Diehl
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283

A Field of Action for Dance in Germany?
Cornelia Dümcke
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289
Dance Pedagogy and Cultural Work

Royston Maldoom and Edith Boxberger
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Linda Müller and Silvia Stammen
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307

Livia Patrizi and Silvia Stammen
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Hanna Hegenscheidt, Jo Parkes and Elisabeth Nehring
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Publishing information
Pages and Images/Illustrations in book
eBook published on:
July 15, 2015
eBook ISBN:
9783839408094
Edition:
1. Aufl.
Pages and Images/Illustrations in book
Main content:
338
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