mdwPress
Music and Motion – Interweaving Artistic Practice and Theory in Dance and Beyond
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Edited by:
Stephanie Schroedter
About this book
How are music/sound and dance/movement interwoven in artistic processes? What kinds of models can be identified when studying the relations between them, and which aesthetic intentions correspond to them? Based on these questions, the contributors to this volume map a wide range of performances from different genres and styles, including those that transcend the stage. The aim is to discuss relationships between music, its physicality, and moving bodies in artistic practice. In doing so, they respond to a theoretical challenge: to conceptualize music as an invisible but audible motion from the perspective of perception and on the basis of visible movements that can be staged, choreographed, or improvised.
Author / Editor information
Stephanie Schroedter (Univ.-Prof. Dr.) ist Musik- und Tanzwissenschaftlerin und Professorin am Institut für Musik- und Bewegungspädagogik/Rhythmik sowie Musikphysiologie an der mdw – Universität für Musik und darstellende Kunst Wien. Sie forscht und lehrt zu Theorien von Musik und Bewegung.
Topics
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Frontmatter
1 -
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Contents
5 -
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Preface
11 -
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Introduction: Music for/into/as Motion – and Vice Versa
13 - Case Studies from the Historical Avantgarde to Contemporary Practices
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Music, Dance, and Agency in Early French Comic Film
45 -
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Forced Freedom
61 -
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“The Creation of New Forms”
79 -
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Petrushka’s Survival
97 -
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“His dances were composed”
113 -
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Dramatic Statement and Theatrical Expression
131 -
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Related Sounds
151 -
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Musicians as Performers
179 -
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Moving to the Beat of Its Own Drum
195 -
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Composing and Choreographing the Audience in Contemporary Music Theater
217 -
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Tarantella Helvetica
235 -
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Dissolving and Emphasizing the Physical in the Digital Age
249 -
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The Danced Sound Sculpture
271 -
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Openings in A Love Supreme
287 - Artistic Research with Sound and Performative Movement
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Mickey Mouse is Innocent
327 -
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Contact Improvisation
341 -
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The Dialogue of Sound and Movement in Improvisation
361 -
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CORPUS Versus BODY
375 -
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Missing, Not Knowing, Taking Care
387 -
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SoundWave Surfing
407 -
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Six Memos for a Pianist and a Self-Playing Piano
419 -
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Mutated Manipulations
439 -
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Embodying Expression in Classical Instrumental Performance Practice
459 - Music/Sound and Dance/Motion: Relations between Theory and Practice
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Choreomusical Research as an Artistic Translation Process
485 -
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Hearing the Dance and Watching the Music
523 -
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Dances with Tables
531 -
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Listening through Seeing
559 -
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Rhythm and Meter in Dance as Bergsonian durée
573 -
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Rhythm and Relation
593 -
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Conducting Experiments
607 -
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Bundling Meaningfulness in a Felt-Bodily Manner
621 -
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Musical Dimensions of Motion-Based Interindividual Behaviors
637 -
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Intertwined
661 -
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Contributors
681 -
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About mdwPress
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