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The Presentation of the Common People in Shakespeare’s Plays
-
Uwe Klawitter
Published/Copyright:
October 23, 2002
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Articles in the same Issue
- Contents
- Editorial Note
- Language
- Middle English “Mental” Verbs
- Metaphors in Abstract Domains of Discourse
- The English Present Tense in the Spoken Language
- Schematic and Prototypical Meaning in English Non-Finite Complement Constructions
- Form and Function of Parasyntactic Presentation Structures
- First-Language Attrition, Use, and Maintenance
- Blackadder, Monty Python, and Red Dwarf
- English Literature
- Anglistentag 2000 Berlin
- Women, Culture, and Society
- Parliamentary Cultures
- A Childhood in Germany Between 1910 and 1925
- Suspense. Studies on Literature in English
- Critical Interfaces
- Renaissance Humanism – Modern Humanism(s)
- Basic Course English and American Literary Studies
- Introduction to Rhetorical Text Analysis
- Novel
- “I wot wel the soothe”
- Clerks and Courtiers
- English Women of the Early Modern Period
- The Names in Edmund Spenser’s Epic ‘The Faerie Queene’
- Shakespeare Jahrbuch 2001
- The Presentation of the Common People in Shakespeare’s Plays
- Spatial Representations and the Jacobean Stage
- Coincidence and Counterfactuality
- Deception and Self-Deception. Ben Jonson’s Comedies ‘Volpone’ and ‘The Alchemist’
- “From Grace to Glory”
- The Priest as Poet
- The Creation of the Self in Autobiographical Forms of Writing in Seventeenth-Century England
- ‘Images of Desire’
- Swift Studies
- The Art of Information
- “The Rule of Contrary”
- The Creation of Religious Identities by English Women Poets from the Seventeenth to the Early Twentieth Century
- Engendering Images of Man in the Long Eighteenth Century
- Processes of Institutionalisation
- Alterity as Cultural Criticism?
- Constructing a Literary Past
- The English Novel in the Nineteenth Century
- The Industrial City in Victorian England as Living Space of the Working Classes Reflected in the Fiction of Elizabeth Gaskell
- Fathoming Metaphors
- Confession, Pose, Parody
- Decadence and Catholicism
- “The Apostle of Quiet People”
- Joyce’s Vision of Time in ‘Ulysses’
- Revolution in Poetic Consciousness
- Popular Literature as Cultural Memory
- Romancing Alterity
- “I Write Therefore I Am?”
- Kaleidoscope of Postmodernism
- Ethical Dimensions in British Historiographic Metafiction
- History and Story
- Obsessions with the Past
- Hybrid Forms
- Anglo-German Literary Relations
- Allegories of Knowledge
- American and Canadian Literatures
- A Short History of Canadian Literature
- American Enlightenment
- Alterity and History
- Romantic Cyborgs
- Herman Melville’s ‘Moby-Dick’ and the Classical Epic
- The World Exhibited
- Between Innovation and Tradition
- The African-American Novel in the 20th Century
- Memories of Harlem
- “The Long-Delayed but Always Expected Something”
- Nuyoricans
- “Uncomfortable Mirror”
- Platonic Culture Criticism in America
- Crossing Color
- “What’s that, crazy?”
- New Departures After the Collapse
- “Eternal Triangles, Eternal Complications”’
- Colonies, Missions, Cultures in the English-Speaking World
- Companion to the New Literatures in English
- “And I too am not myself”
- Rewritings of History as Processes of Cultural Self-Reflection
- “Meeting the Other, Encountering Oneself”
- New Literatures in English
- Colonies, Missions, Cultures in the English-Speaking World
- Companion to the New Literatures in English
- “And I too am not myself”
- Rewritings of History as Processes of Cultural Self-Reflection
- Teaching of English
- English-Language Didactics
- Child-Orientated Foreign-Language Teaching
- Fun with Foreign-Language Learning
- Comprehension Processes of Hypertexts in a Foreign Language
- Learner Vocabulary and Vocabulary-Learning in Bilingual Teaching
- English–German Translation
- Socratic Discourse Evaluation
- The Landeskunde Discussion within the Framework of Foreign-Language Teaching in the GDR
- Backmatter
- Index I: Authors and Editors
- Index II: Contributors to Collectanea
- Index III: Authors and Subjects Treated
- Addenda/Corrigenda
Articles in the same Issue
- Contents
- Editorial Note
- Language
- Middle English “Mental” Verbs
- Metaphors in Abstract Domains of Discourse
- The English Present Tense in the Spoken Language
- Schematic and Prototypical Meaning in English Non-Finite Complement Constructions
- Form and Function of Parasyntactic Presentation Structures
- First-Language Attrition, Use, and Maintenance
- Blackadder, Monty Python, and Red Dwarf
- English Literature
- Anglistentag 2000 Berlin
- Women, Culture, and Society
- Parliamentary Cultures
- A Childhood in Germany Between 1910 and 1925
- Suspense. Studies on Literature in English
- Critical Interfaces
- Renaissance Humanism – Modern Humanism(s)
- Basic Course English and American Literary Studies
- Introduction to Rhetorical Text Analysis
- Novel
- “I wot wel the soothe”
- Clerks and Courtiers
- English Women of the Early Modern Period
- The Names in Edmund Spenser’s Epic ‘The Faerie Queene’
- Shakespeare Jahrbuch 2001
- The Presentation of the Common People in Shakespeare’s Plays
- Spatial Representations and the Jacobean Stage
- Coincidence and Counterfactuality
- Deception and Self-Deception. Ben Jonson’s Comedies ‘Volpone’ and ‘The Alchemist’
- “From Grace to Glory”
- The Priest as Poet
- The Creation of the Self in Autobiographical Forms of Writing in Seventeenth-Century England
- ‘Images of Desire’
- Swift Studies
- The Art of Information
- “The Rule of Contrary”
- The Creation of Religious Identities by English Women Poets from the Seventeenth to the Early Twentieth Century
- Engendering Images of Man in the Long Eighteenth Century
- Processes of Institutionalisation
- Alterity as Cultural Criticism?
- Constructing a Literary Past
- The English Novel in the Nineteenth Century
- The Industrial City in Victorian England as Living Space of the Working Classes Reflected in the Fiction of Elizabeth Gaskell
- Fathoming Metaphors
- Confession, Pose, Parody
- Decadence and Catholicism
- “The Apostle of Quiet People”
- Joyce’s Vision of Time in ‘Ulysses’
- Revolution in Poetic Consciousness
- Popular Literature as Cultural Memory
- Romancing Alterity
- “I Write Therefore I Am?”
- Kaleidoscope of Postmodernism
- Ethical Dimensions in British Historiographic Metafiction
- History and Story
- Obsessions with the Past
- Hybrid Forms
- Anglo-German Literary Relations
- Allegories of Knowledge
- American and Canadian Literatures
- A Short History of Canadian Literature
- American Enlightenment
- Alterity and History
- Romantic Cyborgs
- Herman Melville’s ‘Moby-Dick’ and the Classical Epic
- The World Exhibited
- Between Innovation and Tradition
- The African-American Novel in the 20th Century
- Memories of Harlem
- “The Long-Delayed but Always Expected Something”
- Nuyoricans
- “Uncomfortable Mirror”
- Platonic Culture Criticism in America
- Crossing Color
- “What’s that, crazy?”
- New Departures After the Collapse
- “Eternal Triangles, Eternal Complications”’
- Colonies, Missions, Cultures in the English-Speaking World
- Companion to the New Literatures in English
- “And I too am not myself”
- Rewritings of History as Processes of Cultural Self-Reflection
- “Meeting the Other, Encountering Oneself”
- New Literatures in English
- Colonies, Missions, Cultures in the English-Speaking World
- Companion to the New Literatures in English
- “And I too am not myself”
- Rewritings of History as Processes of Cultural Self-Reflection
- Teaching of English
- English-Language Didactics
- Child-Orientated Foreign-Language Teaching
- Fun with Foreign-Language Learning
- Comprehension Processes of Hypertexts in a Foreign Language
- Learner Vocabulary and Vocabulary-Learning in Bilingual Teaching
- English–German Translation
- Socratic Discourse Evaluation
- The Landeskunde Discussion within the Framework of Foreign-Language Teaching in the GDR
- Backmatter
- Index I: Authors and Editors
- Index II: Contributors to Collectanea
- Index III: Authors and Subjects Treated
- Addenda/Corrigenda