Chapter
Open Access
IV.2 Staging the Self in Spoken-Word Poetry
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Julia Novak
Chapters in this book
- Frontmatter I
- Contents V
- Preface XI
- Introduction 1
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Part I: Adapting the Concepts and Parameters of Poetry Research
- I.1 Lyric Genre Theory 29
- I.2 Poetic Function 41
- I.3 Poetic Language 51
- I.4 Poetological Poetry 61
- I.5 Lyric Subjectivity 71
- I.6 Mood (Stimmung) in Poetry 83
- I.7 Cycles and Sequential Structures 93
- I.8 Verse, Stanza, and Versification 103
- I.9 Rhyme, Meter, and Rhythm 113
- I.10 Musicality and Sangbarkeit 123
- I.11 Voice and Orality 133
- I.12 Layout and Typography 143
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Part II: Between Established Genres and Emerging Formats
- II.1 Printed Poetry 153
- II.2 Live Oral Poetry 167
- II.3 Musicalized Poetry 179
- II.4 Recorded and Audioliterary Poetry 191
- II.5 Audiovisual Poetry 203
- II.6 Digital Poetry 215
- II.7 Social Media Poetry 227
- II.8 Political and Activist Poetry 239
- II.9 Poetry as Public Art 251
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Part III: Interdisciplinary Perspectives and Research Fields
- III.1 Lyricology 263
- III.2 Cultural Studies and Literary Sociology 277
- III.3 Gender and Queer StudiesĀ 289
- III.4 Cultural Memory Studies 301
- III.5 Postcolonial Studies 313
- III.6 Multilingualism Research 325
- III.7 Sound Studies and Musicology 335
- III.8 Speech Communication Studies 347
- III.9 Audio Media Research 359
- III.10 Performance and Theater Studies 371
- III.11 Film Studies 383
- III.12 Visual Culture Studies 395
- III.13 Media Art Research 407
- III.14 Media Linguistics and Multimodal Studies 419
- III.15 Media Ecology and Media Archaeology 431
- III.16 Digital Humanities 443
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Part IV: Current Debates
- IV.1 Poetry Performance between Liveness and Mediatization 455
- IV.2 Staging the Self in Spoken-Word Poetry 467
- IV.3 Performative Epitexts in Poetry Readings 479
- IV.4 Aesthetics of Access in Contemporary Poetry 491
- IV.5 Entanglements of Pop Lyrics and Poetry 503
- IV.6 Contemporary Poetry as Commodity 515
- IV.7 Digital Publishing of Poetry and its Detractors 525
- IV.8 Representational Politics and Poetry 535
- IV.9 Global Poetry and the Limits of Translation 547
- IV.10 Digital Poetics between Signification and Spectacle 559
- IV.11 AI Creativity and Poetry 571
- IV.12 Posthumanism and Poetry in the Anthropocene 583
- IV.13 Negotiation and Critique of Digitality in Page Poetry 595
- Names Index 607
- Subject Index 619
- Authors
Chapters in this book
- Frontmatter I
- Contents V
- Preface XI
- Introduction 1
-
Part I: Adapting the Concepts and Parameters of Poetry Research
- I.1 Lyric Genre Theory 29
- I.2 Poetic Function 41
- I.3 Poetic Language 51
- I.4 Poetological Poetry 61
- I.5 Lyric Subjectivity 71
- I.6 Mood (Stimmung) in Poetry 83
- I.7 Cycles and Sequential Structures 93
- I.8 Verse, Stanza, and Versification 103
- I.9 Rhyme, Meter, and Rhythm 113
- I.10 Musicality and Sangbarkeit 123
- I.11 Voice and Orality 133
- I.12 Layout and Typography 143
-
Part II: Between Established Genres and Emerging Formats
- II.1 Printed Poetry 153
- II.2 Live Oral Poetry 167
- II.3 Musicalized Poetry 179
- II.4 Recorded and Audioliterary Poetry 191
- II.5 Audiovisual Poetry 203
- II.6 Digital Poetry 215
- II.7 Social Media Poetry 227
- II.8 Political and Activist Poetry 239
- II.9 Poetry as Public Art 251
-
Part III: Interdisciplinary Perspectives and Research Fields
- III.1 Lyricology 263
- III.2 Cultural Studies and Literary Sociology 277
- III.3 Gender and Queer StudiesĀ 289
- III.4 Cultural Memory Studies 301
- III.5 Postcolonial Studies 313
- III.6 Multilingualism Research 325
- III.7 Sound Studies and Musicology 335
- III.8 Speech Communication Studies 347
- III.9 Audio Media Research 359
- III.10 Performance and Theater Studies 371
- III.11 Film Studies 383
- III.12 Visual Culture Studies 395
- III.13 Media Art Research 407
- III.14 Media Linguistics and Multimodal Studies 419
- III.15 Media Ecology and Media Archaeology 431
- III.16 Digital Humanities 443
-
Part IV: Current Debates
- IV.1 Poetry Performance between Liveness and Mediatization 455
- IV.2 Staging the Self in Spoken-Word Poetry 467
- IV.3 Performative Epitexts in Poetry Readings 479
- IV.4 Aesthetics of Access in Contemporary Poetry 491
- IV.5 Entanglements of Pop Lyrics and Poetry 503
- IV.6 Contemporary Poetry as Commodity 515
- IV.7 Digital Publishing of Poetry and its Detractors 525
- IV.8 Representational Politics and Poetry 535
- IV.9 Global Poetry and the Limits of Translation 547
- IV.10 Digital Poetics between Signification and Spectacle 559
- IV.11 AI Creativity and Poetry 571
- IV.12 Posthumanism and Poetry in the Anthropocene 583
- IV.13 Negotiation and Critique of Digitality in Page Poetry 595
- Names Index 607
- Subject Index 619
- Authors