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The Tension between Memory and Emotion in Homer’s Audience

  • Jonathan L. Ready
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Memory and Emotions in Antiquity
This chapter is in the book Memory and Emotions in Antiquity

Abstract

This chapter considers why we can both know what will happen in a story and yet worry about what will happen. Building on research in media studies, communications, and psychology into emotional identification, I offer a close reading of Agamemnon’s aristeiain Iliad11 in which I point to opportunities for audience members to experience emotional identification with the Achaean leader. I then suggest one reason why we experience anxiety over the fate of a character even when we have it stored away in our memory that they will be fine: we have experienced emotional identification with them or are experiencing emotional identification with them at that very moment.

Abstract

This chapter considers why we can both know what will happen in a story and yet worry about what will happen. Building on research in media studies, communications, and psychology into emotional identification, I offer a close reading of Agamemnon’s aristeiain Iliad11 in which I point to opportunities for audience members to experience emotional identification with the Achaean leader. I then suggest one reason why we experience anxiety over the fate of a character even when we have it stored away in our memory that they will be fine: we have experienced emotional identification with them or are experiencing emotional identification with them at that very moment.

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